Terezi - Blog Posts

TEREZI !!!!!!!! love her

WOOHOO IM GONNA POST A LOT

YOURE WELCOME! TILL WE MEET AGAIN

HEY! I’m tired and wanting to draw stuff!

Random homestuck character troll poll GO!

or comment if you want a dancestor

love Terezi

She’s gonna take my soul with those magic blind powers she got, but that’s okay, it’s just an empty pringles can in there

Terezi!!!!

Such b4byg1rl

Don't mind this I like listing things so picked my top 30 women efer

Hello, tumblr user. Before you is a tumblr post asking you to name a female fictional character. You have unlimited time to tag a female character, NOT a male one.

Begin.

“Meat” and “Candy” Thoughts and Speculation

Spoilers ahead for anyone who hasn’t read both.

“Meat” and “Candy” are essentially fanfiction—perhaps specifically fix-it-fics—written by Homestuck characters themselves. While it doesn’t make them any less “true” or “real,” (even though it divorces them from the Three Pillars of Canon), it does explain the “fanficcy” feel.

“Meat” is written/narrated by Dirk and Alt!Calliope, each fighting for control of the narrative. Dirk might actually be Caliborn/LE, or at the very least, influenced/corrupted by him.

Dirk did something like this before, when he “wrote” Pony Pals for Jane, altering the original story by replacing parts of it with his own commentary.

Each page contains lovingly hand-written commentary on the deeds of this intrepid young horse.

Later, about halfway through the book, rather than see the gag through to the bitter end, Strider began pasting over entire pages of original text with his own completely rewritten version of the story, while keeping all the chapter titles. His revision is a tough, emotionally draining read. But it's cathartic, in all the worst ways possible. He tends to get carried away with his projects.

Sounds familiar, right? Using Pony Pals as an analogue, Alt!Calliope might represent the author of the original story, while Dirk modifies and rewrites it, twisting it into his own version. Alternatively, neither Dirk nor Alt!Calliope are the original author of the Epilogue, and both are altering the story as "Meat". Perhaps the book found in Calliope’s picnic basket is the original, unmodified story—the "pure" version of the Epilogues. (More on this below.)

Dirk is becoming Lord English/Doc Scratch. The parallels between Dirk and Caliborn/Doc Scratch are uncanny.

It might have something to do with Dirk's Ultimate Self and gaining access to the thoughts/memories/experiences of all his splinters and alternate lives. Those alternate selves/splinters include Bro (who was raised/corrupted by Lil Cal), Lil Hal, Doc Scratch, and Lord English, and the lines between all of them are blurring.

If Dirk is indeed LE in some way, shape, or form, the events of Meat may be LE’s way of trying to take over Post-Canon, exerting his influence beyond his domain of Canon.

(I plan to elaborate on the Dirk = LE theory in a future post.)

As a parallel to Dirk = LE, Jane is essentially becoming the Condesce. I’m not sure of the connection with her Ultimate Self, although I suppose that would include Crockertier Jane.

It might have something to do with the Condesce grooming her to be her heiress, and possibly even Jane inheriting her immortality curse? (I need investigate this further.)

Dirk and Jane even have the same alliance as LE and the Condesce: Dirk and LE pulling the strings while Jane/Condy carries out the plans. Similarly, Dirk and LE rule the metanarrative/story and travel through space, while Jane/Condesce rules the planet(s) of Trolls and Humans. (Credit to @wisdomdissimulator for the original observation/theory.)

“Candy” is written/narrated by Calliope from the Meat timeline. In Meat, Roxy mentions Calliope stays home and paints the walls with what sounds like the events of Candy.

ROXY: its not as bad as it sounds i promise ROXY: some of it is like ROXY: weird and violent?? ROXY: like lotsa nasty purple blood and um ROXY: nudity???? [...] ROXY: but MOST of it is cute stuff like... various combos of all of us being happy and gettin married . . .

While the Calliopes seem less inclined to control/force the characters and narration than Dirk, there are still moments of bias and asserting their will—specifically anything regarding the Trickster Lollipop.

Calliope (as the narrator) may have even controlled/influenced Dirk to suicide, possibly as a way to “save” the Candy timeline from Dirk’s influence. While the narration claims otherwise, it’s also possible Dirk killed himself of his own accord in a twisted mixture of Heroism and Justice, knowing what he could become if he lived, and thus wanting to spare the timeline.

Terezi of “Meat” is the same Terezi communicating with John in “Candy”. Since she’s still in Canon, she basically transcends the Meat and Candy timelines until she reaches Meat’s Earth C. This is why she expects Meat’s John to be older, why she thinks John and Roxy might be together, and why she has a hunch that things wouldn’t have worked out between John and Roxy—because this is true of Candy’s John, at least at the time Terezi last spoke with him.

Gamzee’s presence and influence might have something to do with the unexplained weirdness of the Candy timeline. Characters seem oddly blind or impotent to the circumstances around them, almost like there’s a Ragey influence sowing discord, anger, confusion, and obliviousness among the characters—just as what happens with the Trolls during Murderstuck. It isn’t until after Gamzee’s death that the characters start to seem more like themselves and are more capable and hopeful.

While Gamzee has “Joker immunity” within Homestuck, he’s able to die in Candy because it’s outside of Canon. (My theory is that Lord English grants him immortality, since Gamzee must become a component of LE and thus CAN’T die.)

John needs to take a third option, different from The Choice™ of either Meat or Candy. There's a book in Calliope’s basket, so the third option very well may be the book. Which would also make sense since a book represents/contains a story, and Meat and Candy, while food, also represent stories.

Another interesting third option would be “Vegetables”—or specifically “Pumpkin”—which Roxy could potentially summon via Void powers. It would make a cool reference and callback to “What Pumpkin”.

(More elaboration on the Third Option theory planned for a future post.)

I have a LOT more thoughts and ideas on the Meat and Candy Epilogues, so I’ll probably continue this in another post.

Terezi’s first interaction with John:

GC: 1F W3 3V3R M33T  GC: 1M GO1NG TO CUT YOUR THRO4T  GC: 4ND L1ST3N TO YOU BL33D WH1L3 1 SM3LL YOU D13 

Terezi’s last interaction with John:

Terezi leans closer, then holds perfectly still. She tilts her ear toward him and sniffs once. There, she can hear it. The slow seeping of blood, like a distant stream. The scent of his life leaving his body, strangely unmistakable, like the quality of the air before it rains. She listens to him bleed while she smells him die.

So two-thirds of LOTAK was destroyed when Jack English’s head exploded and formed a black hole.

Dave, Terezi, and a decapitated Dirk all made it off the planet, thanks to Dave’s Time powers. But you know who almost certainly was still on LOTAK at the time?

Gamzee has not had the opportunity to go back in time and give Lil Cal to Jack to create Jack English in the first place. If Gamzee is dead, this is a paradox.

Remember when John said 'are you trying to fix your romance problems' while following Terezi's list maybe starting a blackrom with him is what was meant by that.

Heheheh, yep. I had the same thought.

In fact, if my double retcon theory holds any water, and eventually John lets Vriska die, it could be an interesting way to “fix” Terezi’s relationship problems with Gamzee (without Vriska being there). Her caliginous feelings could shift focus from Gamzee to John instead, thus not leaving her a total wreck by the end of the meteor trip.

John <3< Terezi?

Well, it sounds like John might have a black crush on Terezi. But... does she feel the same way? (Or rather, will she at some point?)

Check out Terezi and Karkat’s conversation regarding her kismesissitude with Gamzee:

KARKAT: I'VE GOT TO SAY, I DIDN'T SEE IT COMING. IF YOU TOLD ME SWEEPS AGO YOU AND HE... KARKAT: I WOULDN'T BELIEVE IT. LIKE IF THE WRITING WAS ON THE WALL THERE, I SURE . . . DIDN'T READ IT.

    TEREZI: Y34H, 1T SNUCK UP ON M3 […] TEREZI: R1GHT UND3R MY NOS3 TOO TEREZI: SOM3HOW 1 D1DNT PUT TH3 P13C3S TOG3TH3R 4T TH3 T1M3 4ND L3T H1M G3T 4W4Y W1TH MURD3R

    TEREZI: 4ND GR4DU4LLY 1 ST4RT3D H4V1NG TH3S3 UNCONTROLL4BL3 THOUGHTS 4BOUT H1M TEREZI: D4RK THOUGHTS TEREZI: 4ND WH3N 1 WOULD C4TCH 4 WH1FF OF H1M 1N TH3 CORR1DORS, L1K3 H3 W4S T4UNT1NG M3, TH4T JUST F4NN3D TH3 FL4M3S

    Recall John’s prophecy:

With the scarf shenanigans, did Game Over!Terezi purposely orchestrate the beginnings of a caliginous relationship between John and her past self? Could THIS be the main purpose of those trivial changes to the timeline?

Vriska's Return and the Alpha Timeline's Fate

There is something downright ominous about Vriska’s return. Something about it just seems so foreboding and …wrong.

It brings to mind John’s reaction to Caliborn’s retelling of events in “Homosuck”:

Her return is so ominous, evidence suggests that John will eventually retcon his retcon to restore the original Alpha Timeline.

But what makes Vriska’s return so foreboding? What significance will this new Alpha Timeline have upon reality? And why must John undo this change?

Overview of Topics:

Personal growth

Terezi’s inverted behavior

Characters’ meta-awareness

Retcons, void timelines, and semi-stable retcon loops

Caliborn’s statements

Doc Scratch’s omniscience

Alt!Calliope

Gamzee’s importance

Vriska’s Thief of Light and Page of Void roles

Horses: the Ultimate Bad Omen

Vriska’s return is disturbing because it undoes all the experiences and personal growth the heroes have undergone for the past three years on their journey through the Furthest Ring. The very notion contradicts something in story Hussie himself emphasized as important:

They have to face all those issues themselves, or they will never learn and grow as people. […] The journey itself is more important than the destination. The struggle is what builds character and teaches us about ourselves and about life.

He elaborates, comparing Trickster Mode shenanigans to Mario using a Star to overcome obstacles:

But the point is, [Mario] didn't really win. That magic star was actually devastating to his development as a human being. WHY. Because he skipped over many critical trials on his spiritual journey. Mario NEEDS to stomp on all those mushrooms. He NEEDS to bonk those bricks with his head, for the sake of his personal growth. By using the star, he is denying himself many powerful moments of catharsis.

This idea very much applies to John’s retcon powers and using them to change the Alpha Timeline, the events of the story. Like Trickster Mode and Mario's Star, retconning seems like an easy fix, a cheap, deus ex machina solution. It’s cheating. Dave even states, “messing with the alpha timeline [...] almost seems heretical.” Solving problems by retconning them out of existence is ineffectual and does not lead to growth.

By Terezi having John reset the timeline, undoing Vriska’s death, many of the characters will no longer face the challenges and hardships they previously would have. Terezi undoes the guilt that torments her, her abusive relationship with Gamzee, and the healing of her eyesight.

It is absolutely understandable that Terezi would want to do this! How many people wish they could undo something in their lives, especially mistakes they deeply regret making? How many people would change these mistakes if given the capability? However, in doing so, Terezi is denying herself the opportunity to grow and to heal from these experiences.

The events of our lives and the actions we take shape, define, and refine who we are as individuals. By having John retcon Vriska’s death, Terezi is essentially changing who she is and who she will become. Consequently, she’s changing who the other characters are, as well. Terezi is acting as a Witch of Heart, one who changes and controls the core identity of individuals.

The comic even visually hints at this role behavior when Terezi wears Jade’s Witch shoes:

Her Witch of Heart subrole should support her Seer of Mind role, not the other way around! Using the subrole, one’s inverse, as the lead role is not a healthy mode of operation! It spells disaster! This behavior foretells dire consequences.

There is something else foreboding about Vriska’s return. The characters all seem to intuitively KNOW these events are not supposed to happen. They KNOW things have been changed, that this is not how the story is supposed to go, that this is not the intended path of the Alpha Timeline. They have an almost meta-awareness of it.

JANE: But it wouldn't surprise me if the one who dealt my fatal blow was the leader of the raid [Vriska].

JANE: This was the unanticipated factor. JANE: Their leader was someone who was not expected to show up with them at all. […] JANE: You see, Callie, your historical documents make no mention of the leader of the raid, because originally, the curtains closed early on this plucky customer. JANE: But the hero was written back into our story by some inscrutable gambit of circumstance which we may never fully understand.

JOHN: i randomly appeared and knocked vriska out cold, just like the scarf told me to. […] TEREZI: YOU W3R3N'T SUPPOS3D TO DO TH1S! TEREZI: 1 W4S SUPPOS3D TO K1LL H3R! TEREZI: YOU JUST DOOM3D US 4LL!!!

Does Terezi’s reaction sound familiar? It should. Dave reacts the same way when John accidentally “zaps in,” interrupting his and Jade’s conversation and retconning events that originally occurred.

DAVE: you being here DAVE: thats not supposed to happen […] DAVE: its not supposed to go down like this i can feel it JOHN: i know! […] JADE: whatever dave and i were going to argue about JADE: i think the moment has passed JADE: the whole thing is kind of ruined to be honest

Dave has the same thoughts as Terezi: that John should not be there, these events are not supposed to happen, and John has doomed the timeline. John explains to each of them that this is not the case because it’s “not time travel,” yet Dave and Terezi remain skeptical and uneasy.

This meta-awareness and sense of a doomed timeline occurs elsewhere, too: when Aranea puts on the Ring of Life and invades the merged session.

MEENAH: you know all youre doing is making another doomed timeline where everyone dies right ARANEA: Of course I know that.

After the events of Game Over, Roxy and John sense the timeline is doomed, as well.

ROXY: this is starting to feel an awful lot like the end […] ROXY: maybe we should just ROXY: admit to ourselves this is probably what its like when you find yourself in a timeline where everything went wrong ROXY: and you know it means youre doomed

But here’s the thing. In each of those cases, the timeline isn’t "doomed" in the traditional sense, events undone because of time travel. In both cases, events are actually retconned by John, making the timeline not doomed, but void.

John voids the Game Over timeline by going back and retrieving the Ring of Life, preventing Aranea from obtaining it.

Regarding Dave and Jade’s confrontation, John purposefully retcons his retcon, setting events back to how they originally transpired, voiding his interference. He creates a semi-stable retcon loop.

In the new Alpha Timeline, because the characters have this same meta-awareness that these events are not supposed to happen—that Vriska is not supposed to be alive—and they sense that the timeline is doomed, I suspect John will retcon his retcon again, undoing the undoing of Vriska’s death, and creating another semi-stable retcon loop.

Why? Meta-narratively speaking, so events will play out how they originally were intended, how the characters KNOW and FEEL they are supposed to happen. So it won’t undo all the character growth the characters undergo. Besides,

It's also logical, since there is essentially nothing new in paradox space. Everything that can happen is either a visual or substantive reproduction of something which has already transpired on a timeline, offshoot or otherwise.

Another semi-stable retcon loop is bound to occur at some point. We were shown the first one for a reason.

Aside from all the parallels to events surrounding John's previous semi-stable retcon loop, more evidence supports a retcon of this new Alpha Timeline.

Caliborn points out the irony that Vriska “ACTUALLY THOUGHT SHE WAS GOING TO BE RELEVANT” and tells her to “KEEP DREAMING,” which is visualized by a “PSYCHE-OUT!!!” watermark and Vriska losing her head.

In the current iteration of the Alpha Timeline, Vriska’s new life state gives her the opportunity to have greater relevance and importance than before, when she was dead. “Dreaming” can even be a euphemism for “dead,” as death in dream bubbles compares to the state of dreaming and never waking up.

Caliborn seems to know Vriska will not be as important as she thinks she will be, and by telling her to “KEEP DREAMING,” he’s effectively telling her to stay dead. If John retcons his retcon, and Vriska actually remains dead after all, not only will this fulfill Caliborn’s statement, but it would prove to be the ultimate “PSYCHE-OUT!!!” to everyone, particularly to us readers.

Doc Scratch provides another indication John will retcon his retcon. Doc Scratch claims to have “absolute mastery of the Alpha Timeline” alone, any deviations withering from his perception. If the Alpha Timeline remains on its present course, it would make Doc Scratch either a liar or incorrect about this mastery.

When John retcons Vriska’s death, it voids events of the original Alpha Timeline, events Doc Scratch explicitly shows us.

    John's retcon turns the original Alpha Timeline, the events Doc Scratch shows us, into a void timeline. If Doc Scratch’s knowledge only pertains to this pre-retcon Alpha Timeline, his mastery is not of the true Alpha, but a voided version of it.

Doc Scratch is omniscient and does not lie. Yet at the same time, he has difficulty with Void.

AG: Sure you know a lot, 8ut I know for a FACT there's stuff you don't know. That's true. But the gaps in my knowledge exist by design. They are the pillars of shadow on which my comprehensive vision is built. Necessary pockets of void meant to effectuate outcomes I've foreseen and which will require my influence. Each dark pocket, in time, will be filled.

Occasionally I discover there are things I have not always known. It gives me the opportunity to make deductions, which are practically always flawless. […] But sometimes that is the nature of these hollows in my perception. It feels a bit like dark water, sloshing about the cavity in my head.

Wouldn’t it make sense for the new, current Alpha Timeline to be eventually retconned back to how events originally transpired? It would make the present Alpha, wherein Vriska lives, a void timeline. Void, which can escape Doc Scratch’s perception.

Considering Vriska “occupied a blind spot” to the Condesce, Jane, and Jade with her return, it seems reasonable she could occupy one of Doc Scratch’s “dark pockets,” as well.

If John retcons his retcon and creates a semi-stable retcon loop, it would validate Doc Scratch's mastery of the final, true Alpha Timeline, and it would reinforce the notion of pockets of Void in his knowledge.

But all of this raises another question: If eventually John is going to retcon the new, current Alpha Timeline back to its original state, what importance does the present timeline have?

The answer is Calliope’s alternate reality self.

JADE: like i said, [Alt!Calliope] just finished telling me that she was able to beat her brother in this reality JADE: but apparently, that wasnt supposed to happen? JADE: so she lived out the rest of her life in a doomed timeline and eventually died

Now, granted, this Calliope could be any Calliope from any regular doomed timeline, but I don’t think this is the case. This Calliope seems too important and special to be a random doomed one. This Calliope indicates her story is tied somehow to our John, the same John with retcon abilities and unstuck in canon.

JADE: and then she did this kinda fancy transition [...] to a story about MY brother... who was stuck in a doomed timeline too […] JADE: almost all our friends had died JADE: and johns only hope was to return to his planet, and attempt to complete his personal quest

Jade’s wording about Calliope is suspiciously similar to descriptions of timelines John retcons: Her defeat over Caliborn isn’t “supposed to happen.” If this Calliope is one who retroactively embodies Paradox Space, it would make sense for her to have been a part of the Alpha Timeline at one point, even if that timeline is eventually retconned. A standard doomed Calliope likely would not have enough importance to have such drastic influence over all of reality itself.

The difference between this Calliope and all other doomed Calliopes, why she unprecedentedly dominated her brother, could be in how they were raised: without Gamzee’s influence. In the present Alpha Timeline, Gamzee is suspiciously absent at the end of the three-year journey.

  The meaning of Terezi’s ominous message, “you don’t need him,” has not yet been explained. Perhaps it refers to Gamzee. If removed from the picture, he cannot raise the cherubs, influencing their upbringing, personalities, resources, and knowledge.

    Remember, just as Calliope is “not supposed to” dominate, Gamzee is “not supposed to” die. Hussie even states he is “not aware of a single timeline in which [Gamzee] dies.” If Gamzee only ever dies in a void timeline, each time the Alpha retconned so his death never occurs, Hussie’s supposed lack of its awareness makes sense.

If John retcons his retcon, it will make the current Alpha Timeline, wherein Vriska lives, a void timeline in actuality. It seems fitting that a Thief of Light from a void timeline would steal the Alpha Timeline’s Light—its importance and relevance. Not to mention her Page of Void subrole, empowering others to exploit Void—a void timeline—maximizing its use.

However, everything the heroes have done so far has advanced Lord English’s machinations. What exactly will happen is unclear, but all the ominous foreshadowing surrounding Vriska's return hints that something disastrous will occur and force John to go back and retcon this timeline.

One clue is Jane’s phrasing of Vriska’s return and the raid she leads in the merged session:

JANE: The tilt between the friendly and felonious was a true horse race again. A real barn burner in the brewing.

Jane’s colorful wording metaphorically surrounds them with horses.

VRISKA: I think I've just decided that 8eing surrounded 8y horses might 8e the ultim8 8ad omen. Nothing good can ever follow or precede those circumstances.

The Ultimate Bad Omen. Vriska’s return is ominous indeed.

Rose’s Quest and the Pink Sun

  You wonder if this rain will ever let up. It's driven since the month began, perhaps long enough to forget its purpose. It no longer even knows to assuage fire. Somewhere a zealous god threads these strings between the clouds and the earth, preparing for a symphony it fears impossible to play. And so it threads on, and on, delaying the raise of the conductor's baton. How you hate this season. "April is the cruelest month, breeding lilacs out of the dead land, mixing memory and desire, stirring dull roots with spring rain." -American sports legend, Charles Barkley

(Charles Barkley quotation actually from T. S. Eliot’s The Waste Land.)  

We know from Jaspers the gist of Rose’s quest in the Land of Light and Rain:

JASPERSPRITE: Rose im just a cat and i dont know much but i know that youre important and also you are what some people around here call the Seer of Light. JASPERSPRITE: And you dont know what that means but you will see its all tied together! JASPERSPRITE: All the life in the ocean and all the shiny rain and the songs in your head and the letters they make. JASPERSPRITE: A beam of light i think is like a drop of rain or a long piece of yarn that dances around when you play with it and make it look enticing! JASPERSPRITE: And the way that it shakes is the same as what makes notes in a song! JASPERSPRITE: And a song i think can be written down as letters. JASPERSPRITE: So if you play the right song and it makes all the right letters then those letters could be all the letters that make life possible. JASPERSPRITE: So all you have to do is wake up and learn to play the rain!

Hussie even summarizes and clarifies this information:

[Jaspersprite] explained elements of the mythos of her land, and how she'd need to learn to play the rain to produce the musical analogue of a genetic code to reintroduce life into the ocean.

Produce a genetic code? That sounds familiar. Where else have we seen a genetic code?

“MEOW” combined with Halley’s ectoslime to create Becquerel.

“t1CK t0ck 8r8k H34DS honk HONK” combined with Lil Cal and a Magic Cue Ball to create Doc Scratch.

“BARK” combined most likely with Jaspers to create God Cat.

These genetic codes are used to create First Guardians. First Guardians all have the Green Sun as their power source. So most likely, these genetic codes are related to the Green Sun itself.

So, Rose’s Quest is to play the rain, to produce a genetic code that reintroduces life into the ocean. Like the previous codes tied to the Green Sun, what if the genetic code Rose plays is tied to a different sun, a Pink Sun?

There are clues everywhere for a Pink Sun paralleling the Green Sun.

Rose is a Seer of Light, and the Light symbol is a sun. It would make sense for the genetic code to be for a literal source of Light, a literal sun.

But what other significance might this code and Pink Sun have? Well, "They wait for she who would breed lilacs out of the dead land." “They” being the Nobles—the kids of the Alpha Session.

The “dead land” may very well be the Land of Crypts and Helium. Jane’s planet is filled with seed pods that seed and water the planet, yet nothing is able to grow on the surface. What her planet lacks is Light—sunlight. (Her denizen is even Hemera, goddess of daytime.) Perhaps by “playing the rain,” Rose provides the Light LOCAH needs—in the form of the Pink Sun—enabling lilacs to breed out of the dead land. Considering during Trickster Mode, half the planet sprouts flowers everywhere, it seems to be the intended transformation LOCAH will undergo.

But wait, Rose’s planetary quest is to reintroduce life to her planet, to LOLAR. More specifically, to restore ocean life that was eaten by her denizen Cetus.

JASPERSPRITE: But sadly there are no fish i think. JASPERSPRITE: They were all eaten by the Denizen! ROSE: Who? JASPERSPRITE: It ate everything in the ocean and got so full that it took a long nap. JASPERSPRITE: No there is surely not a single living thing left!

Ocean life? Hmm…

What is something heavily associated with both Rose and the ocean?

  The Horrorterrors (Squiddles)!

What if, when Rose plays the rain and reintroduces life on LOLAR, she creates the Horrorterrors? The very same ones currently residing in the Furthest Ring. The same ones who likely created the Trolls’ universe.

If so, perhaps the Pink Sun has ties to both the Horrorterrors and to the flora of LOCAH. That would make the Pink Sun a Light—a symbol—of Life and Void.  Just like…

…The Rings of Life and Void!

When the Draconian Dignitary puts on the Ring of Void, shades of pink and purple flash around him. Symbolic—even powered by—the Pink Sun, perhaps?

(Image made static because seizure warning.)

Compare to when the Queen’s Ring transforms Jack Noir after Bec prototypes himself, giving Jack powers of the Green Sun:

And then there are the green and pink moons of Alternia, paralleling the Green and Pink Suns.

The green moon is home to Doc Scratch, representative of the Green Sun (symbolic of Space) as a First Guardian. Yet pre-scratch, the pink moon is home to Meenah, Thief of Life, further tying the Pink Sun as a Life symbol.

LOLAR and the rain itself have symbols of Light, Life, and Void through their colors—yellow, cyan, and pink.

Yellow represents the sun emblem of Light, its Seer Rose. Cyan represents Jane, Maid of Life, whose planet lacks Light. Pink represents Roxy, Rogue of Void, whose planet’s element is Neon—that is, Neon Light.

Aside from the Pink Sun, restoring life to LOLAR, and sending Light to LOCAH, Rose may even have a role in Dave’s quest, considering the rain “no longer even knows to assuage fire”—its purpose forgotten.

Regarding Dave’s quest,

It's meant to rain this season but there ain't been a drop in sight. Even a little drizzle would help. Might help to fizzle this sizzle a little bizzle, set the record straight on this global turn-tizzle.

Perhaps the rain Rose plays—or even the Pink Sun itself—will aid in his quest. (But more on Dave’s quest in another post.)

It seems pretty clear that Rose represents the “zealous god” who “threads these strings between the clouds and the earth.” As for “delaying the raise of the conductor's baton,” perhaps the conductor is…

  You wouldn't trade your dualing weapon for any other. It is lightweight, elegant and precise, like a conductor's baton with stopping power.

…Calliope!

A Seer would not charge into the fray headlong but direct it as a conductor with a baton.

…Or Terezi, or even Rose herself. Perhaps all three!

As for “mixing memory and desire,” that sounds a lot like…

    …What the heroes have been doing all along!

If they are meant to create not just a new universe, but a new reality to escape Lord English, wouldn’t their new reality consist of memory and desire? A new reality conducted, inspired, and embodied by Calliope, Muse of Space; located in the currently blank canvas Void to where LOWAS, Roxy, and John escaped; its information (Light) to be supplied by Rose and the Pink Sun; and filled with the memories and desires of the heroes.

Terezi is NOT going to have Vriska’s death retconned

Yes, Terezi regrets killing her, but more significantly, she realizes she was cornered into that choice and wonders, had she been thinking clearly and known all the facts, had any thoughts or circumstances changed, would there have been more options? Would killing Vriska be the only way to stop her?

GC: 1 K33P WOND3R1NG 1F TH3R3 W4S 4NOTH3R W4Y GC: SOM3TH1NG OTH3R TH4N L3TT1NG H3R GO, OR K1LL1NG H3R

GC: WH3N 1 CONFRONT3D H3R, 4ND 1T W4S T1M3 TO M4K3 UP MY M1ND GC: 1 THOUGHT 1 H4D 1T 4LL F1GUR3D OUT, L1K3 TH1S W4S WH4T 1 H4D TO DO. NOT JUST TO S4V3 3V3RYBODY, BUT 4S SOM3 STUP1D R1T3 OF P4SS4G3 OR SOM3TH1NG? GC: TH3N 1T C4M3 T1M3 TO DO 1T, 4ND 1T W4S 4LL H4PP3N1NG SO F4ST... GC: 4ND 1 FORC3D MY OWN H4ND. 1 COULD 31TH3R L3T 3V3RYON3 D13 1N ON3 R34L1TY, OR K1LL 4 FR13ND 1N 4NOTH3R GC: 4ND 1 T3LL MYS3LF THOS3 W3R3 TH3 ONLY TWO VORT1C3S 1 S4W... GC: BUT TH3N, 1 W4S TH3 ON3 WHO M4D3 TH3 S3R13S OF D3C1S1ONS WH1CH L3D UP TO TH4T CHO1C3, 4ND COMPL3T3LY P41NT3D TH3 OPT1ONS 1NTO TH4T CORN3R

TEREZI: 4ND NOW 1T F33LS L1K3 TH3 ONLY "H3RO1C" TH1NG 1 3V3R D1D W1TH THOS3 POW3RS TEREZI: W4S US3 TH3M TO JUST1FY K1LL1NG MY FR13ND [...] TEREZI: 4ND WH4TS WORS3 1S TEREZI: TO TH1S D4Y, 1M ST1LL NOT 3V3N TOT4LLY SUR3 1F 1T W4S N3C3SS4RY [...] KARKAT: WELL, YEAH. OF COURSE IT WAS NECESSARY. KARKAT: EVEN IF IT WASN'T THE MORALLY RIGHT CHOICE OR WHATEVER, IT WAS OBVIOUSLY SOMETHING THAT HAD TO HAPPEN. [...] KARKAT: IT'S SIMPLE. IF YOU HADN'T KILLED HER, YOU WOULD HAVE WITHERED AWAY IN A DOOMED TIMELINE.

Maybe, in the end, these retcons reinforce to Terezi that indeed, killing Vriska is the only viable option, and she makes that decision with a clear mind and of her own accord—not one limited by Rage. By knowing Vriska is responsible for Tavros' death and not all the others, as well as no longer viewing their confrontation as a JUST1C3 role-playing game of sorts, Terezi will no longer have lingering doubts and regrets, and instead embrace her role as a Seer of Mind.

If the retcons are geared toward this intent, they wouldn't so much undo events as undo Terezi's outlook and attitude—her depression,  self-hatred, and rejection of her role. Really, only events post-Cascade and events revolving around Terezi would change. And there weren't even that many of those during the meteor trip.

But here's the main reason nothing significant will change pre-Cascade: Doc Scratch's narration.

The Seer of Mind had challenged the Thief of Light to a simple game of chance. If the result was the undamaged side, the Thief would agree to stay. If not, she would "go." [...] The actual result was trivial; it was a constant across all timelines. [...] The Thief used her abilities to steal the fortune of her opponent, and forced the flip to yield what she regarded as the most favorable outcome. The Seer anticipated this move, correctly.

I've never much enjoyed navigating the vortices of alternative possibility. The path which alone has my absolute mastery is the alpha timeline, a continuum I define as that which boasts exclusive rights both to my birth and to my death, two circumstantially simultaneous events. Any divergence from this path to my knowing will taper into blackness like rotting roots.

(Bold emphasis mine.)

Why is this information significant? The Alpha Timeline seems to have already taken John's retcons into consideration. So far, all events as known from Caliborn's perspective, like John dying in an explosion and his "ghost" returning periodically to haunt him, seem to be accurate post-retcon information. (Of course, this is also assuming the Jade and Jane hanging out with Calliope are from the same and Alpha timeline.)

If retcons don't change or contradict Caliborn's knowledge, I would think this concept would extend to Doc Scratch, as well, considering his omniscience and influence. Undoing Vriska's death would dramatically change his story.

Not to mention, it would change this:

But it is the desecration of a priceless timepiece where I must draw the line. I'm afraid I must now insist that you take your beating quite personally.

Events that directly affect and influence Doc Scratch, Spades Slick, and the destruction of the universe leading to the creation of the Green Sun.

The one way events could change is if Doc Scratch is playing a rare prank. If that is the case, Terezi doesn't need to kill Vriska, but someone else does in order for the god tier clock-related events to occur. An escaped Gamzee would be the likely culprit.

Regardless, Vriska still has to die Justly, or too many crucial events change.

Okay, John's note that "it was gamzee," on the most obvious level, means Gamzee is responsible Nepeta's murder, not Vriska, whom Gamzee is framing and Terezi suspects.

But what if there's a deeper meaning to the message?

What if John inadvertently answered his own (and likely poor, confused Terezi's) question?:

"you don't need him."

Who's "him"?

"it was gamzee you idiot!!!"

By pairing together these two seemingly disconnected messages from John, maybe it'll plant the idea in Terezi's mind that Gamzee is the one she doesn't need. ...Unintentionally, at least on John's end. Granted, she probably won't even make this connection until much later, perhaps after more messages, but hey.

Inception, Egbert style.

excellent… absolutely exctellent….

vriska <3< aradia

and

vriska <3 terezi

BUT

terezi c3< aradia + vriska

decipher my runes.

How is this

evil yuri(👩‍❤️‍💋‍👩) valentines

i hate them🩵

alt version

rezi and meefish⬇️⬇️

shit terez doodles

figured out how to use rainbow pencils and couldn’t think of a better character to draw with them,

ohhh vrisrezi🤕🩵

i could write a whole essay about them and i still might a little later this month? maybe valentines day jus for funsies ^_^

light x mind ships are so good augh