Never Getting Over This - Blog Posts

back in my good omens feelings

let me tell you a story…

"Your motivating goal cannot be to join Ramy"

Nowhere King

Dovevine snaps. As a treat :) @plush0fairy

TW blood, eyestrain, and glitching effects under the cut!!

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Dunno how to loop in capcut, but lil gif :)

@konoharfts 's au just dropped AND IT MEANS I CAN FINALLY START BEING INSANE ABOUT THIS MAJESTIC WOMAN🐍

13/08/2022: i’m just wanna start this by apologizing. i’m sorry this review is ridiculously long and very stupid because it’s just me copy and pasting my favorite parts and screaming and throwing up over them with emojis. may, your work is probably the best i have read in a really long time. i connect with it so much, your writing makes me feel so much!!!! i was so excited when you said you were working on a rooster fic (because i read bad habit when it came out and almost passed away!!!) and then i finally read this one and it just… no words. it was EVERYTHING. this is everything. anyways you’re super crazy talented and here is me screaming and throwing up because of your lighting in a bottle:

“Suddenly he’s taller than Goose ever was, older, ranked higher. He wants to say, wait, hold on, go back. Wants to rewind to a time when he felt closer to his father, when he could remember what his voice sounded like, what it felt like when he tucked him into bed. When he thought if he just sat by the front door long enough, his father would inevitably walk through it again, hoist him into the air, and press tickling kisses to his cheeks.” THIS MUST HURT SO MUCH. the imagery of bradley growing further away from his dad because he’s going to keep living and now the years are passing and WHAT THEN WHEN HE HITS THE AGE GOOSE WAS WHEN HE DIED???? WHAT THEN WE HE GROWS EVEN OLDER???? it’s cruel. it hurts. it shouldn’t happen this early.

“Part of Bradley thinks it’s unfair, his whole world crashing down and him not even remembering it. Like he’s arriving late for a movie and can’t make sense of the plot.” this makes me really sad. it’s a horrible feeling.

“Mav doesn’t say much, just drives him back to his college dorm and pulls over to the curb, doesn’t even turn off the car. They sit there in silence, with the blinker going and the engine purring.

Finally, Mav says, “Sometimes, you remind me so much of your father, it scares me.” OOOOOOOOOOOOH STOP IT. I CAN HEAR HIS VOICE!!!!!!!

“So it’s like Bradley always suspected. It really is a futile thing, trying to escape the memory of his father. His ghost lives inside Bradley’s chest. Rattles against his bones.” i love descriptions that make these feelings and emotions go literally bone-deep!!!!!! it makes it so much more weighted to me, idk???? i love it. and this one HURT!!

“And he loves him, even if he doesn’t remember him. Thinks that love is some intrinsic, primordial thing. Something that was there before he was born and will be there after he dies. Something he can’t fight. Unstoppable like the tide.” I AM IN LOVE WITH THIS IDEA!!!! IN LOVE!!!!

“It’s good for a while because it feels like he has a purpose, a goal. For so long, Bradley has been drifting at sea, unmoored, unbound, with no sense of direction. Now he’s swimming toward something, broad strokes, every move deliberate.” he was just starting to find himself a little bit only for that to be taken away from him, it’s so sad!!!!

“So Bradley remembers his mother every time he gets into a car. But his dad? Him, he can only get above the clouds.” no!!!!!! no no no because this just adds so much more weight to the “talk to me, dad.” scene in the movie. he only feels close enough to goose in the sky!!! when he’s flying!!!!!! beautiful!!!!!!

AND THEN YOU HAVE TO REMIND ME HE GRADUATED AND HAS NO ONE TO CELEBRATE IT WITH HOW DARE YOU???!!!!!!! everyone in his class with family members and loved ones cheering around while he’s just there by himself…

“His mother always used to say he was a functional dreamer. He had his head stuck in the clouds, sure, but he knew exactly when to pull it out of there too. Maybe that’s why he’s such a good pilot.” FUNCTIONAL DREAMER!!!!!! because he never allows himself to get lost in it too much. oh. i need to know his entire birth chart right now. his sun, his moon, his rising, HIS VENUS, OH GOD.

“So Bradley still is a functional dreamer. He knows that this is something he can never have, can never allow himself to have. He knows the pain of it too well, too intimately, still feels it every time he catches sight of his reflection in a mirror, the golden streaks of sun in his hair, the mustache, the split second of pure, blank horror, of oh god I look like him, I look so much like him, and feels it slice right through him like a knife through butter. He’s been carrying his father’s ghost for so long, sometimes it feels like his spine will crack under the weight.” STOP JUST STOP THIS IS TOO MUCH. i’m feeling all of it with him!!!!!!

“And then he meets you.” gets me every fucking time!!!!! AND THEN HE MEETS YOU AND OF COURSE IT CAUSES A RECKONING INSIDE HIS HEART I CAN’T DO THIS-

“A smile that settles in his heart. A smile that’ll never leave again.” beautiful!!!!!!

“I don’t think….” He trails off, wonders why it’s so easy for him to talk to you, why he can’t stop spilling truths like leaking water taps. “I don’t think I’ll be good for you.” PLEASE STOP ☹️☹️☹️☹️☹️☹️☹️☹️☹️☹️☹️☹️☹️☹️☹️☹️☹️☹️☹️ SPILLING TRUTHS LIKE LEAKING WATER TAPS YOU ARE A POET!!!!!!!!

“For the first time, it feels like he knows peace, even with his feet on the ground.” EVEN WITH HIS FEET ON THE GROUND BECAUSE HE LOVES FLYING SO MUCH ITS A NEED ITS WHAT KEEPS HIM GOING BUT ON THE GROUND HE HAS YOU!!!!!!!!! ENOUGHHHHHHHH

idk why but i love when people use the word “ache” in their descriptions it makes my stomach flip flop like crazy!!! such a good word!!!!

“It doesn’t matter that he loves you. It doesn’t matter that he only feels at peace when he’s with you. It doesn’t matter that for the first time since he was four years old, the ghosts have gone quiet.” SHUT UP!!!!!!!! THE GHOST HAVE GONE QUIET!!!!!!!!!!!!

“give you a child.” NOT THIS TINY LITTLE PEACE BY TAYLOR SWIFT REFERENCE YOU ARE SO CRUEL!!!!!!

“Only you don’t leave.” HELL YEAH!!!!! CLING TO HIM!!!!!

AND THEN YOU FOLLOW THIS UP WITH “I want you more,” you say, and that’s that.” SHE WANTS HIM MORE!!!!!!!!!!!!!!!!!!!!!!!!!!!

“And Bradley - selfish as he is - accepts it. Because he doesn’t want to lose you. Because as much as he tries to convince himself of the opposite, deep down, he knows he’s not a good man. Just like his father wasn’t. They’re both just men willing to leave the people they love behind. Brave enough to fight for the “greater good”, but never brave enough to stay.” it breaks my heart that he sees himself and goose that way. selfish and not good????? bradley… 🥺🥺🥺🥺🥺🥺🥺🥺🥺🥺🥺🥺🥺

“And sometimes, when you’re asleep, Bradley puts his hand on your stomach and imagines a bump there, imagines a baby growing beneath it, and that’s when the ache gets so strong he thinks he can’t breathe.” THE IMAGERY OF THIS BROUGHT ACTUAL TEARS TO MY EYES!!!!! AND THE WORD ACHE AGAIN!!!! BECAUSE IT HURTS SO FUCKING MUCH!!!!!!

AND THEN HE DREAMSSSSSSS “He dreams he’s thirty-five, and he marries you. He dreams he’s thirty-six and holding his baby. He dreams it’s a little girl with your smile and his eyes, and he loves her more than he thought he was capable of, so much it almost breaks him apart, so much it puts him back together. So much it’s worth it all.” this is so so beautiful i can’t think about any other adjectives my brain has stop functioning.

“It’s all he can allow himself—an ocean in a seashell.” NOT ME CRYING BECAUSE OF A SEASHELL COMPARISON YOU ARE SO EVIL.

“Up in that F-14, that’s when he realizes. The brink of death is a bleak place. It’s a place of memories, a place of despair. It’s a place of hope.” IT’S A PLACE OF HOPE!!! THE CATHARSIS OF IT AL!!!!!!!

“It used to be a relief. Nobody to mourn me after I’m gone. Now it feels like a punishment.” i just really love this character development.

“Your hands leave wet prints against the fabric of his shirt, like something primeval pressed to cave walls, like something that’s been happening for centuries, something that is happening right now, something that will happen again tomorrow and next year and the year after that, and distantly, dumbly, Bradley thinks, Oh. I’m alive. I’m here.” I THINK THIS IS MY FAVORITE PART??????????????????????????? their love is infinite it’s been happening forever for centures and at that moment!!! and it circles back to the beginning when you wrote “Thinks that love is some intrinsic, primordial thing. Something that was there before he was born and will be there after he dies. Something he can’t fight. Unstoppable like the tide.” THE PRIMORDIAL CONNECTION!!!!! SOMETHING THAT WAS THERE BEFORE HE WAS BORN AND WILL BE THERE AFTER HE DIES AND WITH HER IT’S THE SAME THING!!!!! yep. favorite part. favorite quote.

“Suddenly, the thought of you alone in this house is unbearable. Waiting for a man that never comes back. History repeating itself in the worst of ways.” but he came back!!!!!!! it’s okay!!!!!!!!

and then he says he wants to have a baby and she says no!!!!!! because it’s too much all at once she compromised!!!! she became the same type of functional dreamer bradley was before he met her!!! she wanted him more so she got used to the idea of never having one. so much pain.

“Suddenly, he feels a sob building in his throat. To realize how much he’s hurt you, not just today by springing this on you, but by how selfish he was, again and again. By letting his past stand in the way of your future.” STOP PUNCHING ME IN THE GUT!!!!!

“But losing you… Bradley always assumed he was going to be the one to go first.” KILL ME NOW.

“I…” And he knows he’s the one who brought it up, but suddenly all the doubts come crashing down. Suddenly the ghosts crowd around him. “What if I die? What if I leave you? What if we have a baby and I’m not… there?” he’s so scared he’s always been so scared and sad. i want him.

“Oh, Bradley…” Something on your face melts. You step closer, put a hand on his cheek, fingertips still pruned from the water, and say, so gently it breaks something open inside of him, “Bradley. You’re not your father.” and then the dam breaks!!!!!!!!!!!!!!

AND THEN YOU WRITE THE MOST HEART BREAKING PIECE OF WRITING EVER WRITTEN:

“For so long, Bradley was trying to let go of a world that didn’t want him to leave. He’s been preparing for an early exit since he entered, has been so caught up in dreaming he forgot to live. So caught up in thinking he forgot to do. He thought he would be content to go out of this world and leave nothing behind, to disappear without a trace, without a word, without a ghost.

But now he sees it clearly. Now he understands.

Bradley doesn’t want to stop existing. He wants to cling to this world like someone clinging to the edge of a cliff, like a leech, like a cancer. He wants to haunt someone.”

i have no words. i am just crying and throwing up everywhere because this is SO HEAVY THERE IS SO MUCH TO UNPACK HERE AND IT IT SAD AND BEAUTIFUL AND IT CRACKED MY HEART OPEN!!!!!

when you threw in the carol flashback ❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️

“Bradley has thought about his life in boxes. Big cardboard ones, the kind you get when you move apartments. He tucks the good parts away beneath his bed, stows them, hoards them like a secret. Like his mother kept her grief. But all the bad parts - the pain and the sadness and the sorrow - those he lets pile up everywhere, in hallways, in living rooms, on kitchen tables. He stumbles over them on his way to the bathroom. He stubs his toe halfway to the closet.” PLEASE STOP MAKING ME CRY!!!!!

“This long, terrible, winding road that led him here. That led him to you.” this reminds me of one of my favorite songs of all time “ceilings” by lizzy mcalpine where she says “Lovely to sit between comfort and chaos” there’s so much good in the bad and bad in the good. it’s all mixed together. it’s life. it’s sad and beautiful and it rips us open and there is chaos and comfort and sometimes the worst things can lead you to your happy ending!!! anyways!!!

AND THEN SHE REMINDS HIM THEY ALREADY HAVE A LIFE TOGETHER!!!!!!! THIS WHOLE TIME IT HASN’T BEEN LEADING UP TO ANYTHING. IT’S BEEN HAPPENING ALL THIS TIME!!!! beautiful. i love her for reminding him. i love you for making her remind him.

“Bradley Bradshaw,” you say, and there’s only a little bit of amusement in your voice, “you’re the love of my life.” ROMCOM MOMENT EXCELLENT!!!! except where is no com here!!!!! no comedy!! i am a crying mess!!!

“Bradley feels like somebody’s poured liquid sunlight into his chest.” 😭😭😭😭😭😭😭😭❤️‍🩹❤️‍🩹❤️‍🩹❤️‍🩹❤️‍🩹❤️‍🩹❤️‍🩹❤️‍🩹

and then it starts going frantic and they go to the counter because of course they do!!!! I LOVE IT WHEN THEY GO TO THE COUNTER!!!!!! TURN IT UPPPPPPPPP!!!!!

his breeding kink. if i speak- (so many thoughts going through my head!!!!!!!)

“He surges forward, lips against yours again, and you’re so alive beneath him, heart racing, breath heaving, fingers grappling along his neck, his shoulders, his chest, his arms, and Bradley wants to devour you. Wants to sink his teeth into all this life and never let it go again. He wants to exist, right here, in this moment with you forever.” HE WANTS TO EXIST, RIGHT HERE. IN THIS MOMENT WITH YOU FOREVERRRRRRRRRRRRRRRRRRR probably my second favorite part i love this!!!!!!!

“and the softness in your voice cracks something in him. He swears he could cry again.” I NEED TO KNOW THIS MAN’S ZODIAC SIGN RIGHT NOW!!!! THE SOFTNESS OF HER VOICE ALMOST MAKING HIM CRY AGAIN!!!!! GIVE ME HIS BIRTH CHARTTTTTTTTTTTTT (this made my tummy go a little crazy btw).

AND THEN HE WHISPERS “I’m gonna marry you”!!!!!!!!!!!!!!!!!!!! i go feral for moments like this!!!!!!!!!!

“Bradley thinks he’s going to die, but this time it’s nothing like it was up in the F-14.” RIGHT IN THE MIDDLE OF THE SMUT!!!!!!! SHUT THE FUCK UP!!!!!!!!!!!

“Your mouth tips open, your eyes not straying from his for a second as he goes slow, as he goes deep, as he goes home. There’s an answer in that too.” AS HE GOES HOME!!!!!!!! 😮‍💨😮‍💨😮‍💨😮‍💨😮‍💨😮‍💨😮‍💨😮‍💨😮‍💨😮‍💨😮‍💨😭😭😭😭😭😭😭😭😭😭😭

“and you’re all mine, and I’m yours.” i am, once again, screaming and crying and throwing up. he’s such a romantic!!!!!!!!!

“When he glances down at you, at the eyes wide with that much trust, as he realizes you would let him do just about anything to you, that you’ve both opened yourself to each other completely now, no barriers and no ghosts standing between you, it’s like a dam breaking.” NO BARRIERS!!!!!! NO GHOSTS!!!!!!!!!

AND THEN YOU THROW THE PILL IN THE MIDDLE OF IT ALL… AND HE DOESN’T EVEN WANNA THINK ABOUT IT BECAUSE IT’S TOO MUCH “Don’t say it. Let me live in this fantasy. Let me dream a little longer.”

“It’s the thought of it all - a bump beneath your dresses, a baby in your arms, tiny fingers wrapping around his thumb, it’s about the long, long stretch of life ahead of the two of you. It’s about a house filled with love and free of ghosts. It’s about the first glimpse of the ocean after listening to its roar in seashells all his life. It’s about giving himself over to you completely, after years of only dreaming of it.

Do you know? he wonders. Do you know that you’re holding his whole life in your hands?” THE SEASHELLS AGAIN!!!!!!! A HOUSE FILLED WITH LOVE AND FREE OF GHOSTS!!!!!! their happy ending!!!!!!! by this point i was a mess 😭😭😭😭❤️❤️❤️❤️ you need to listen to “all my ghosts” by lizzy mcalpine i think you like magically translated everything that songs encapsulates into this story!!!!!!! anyways!!!! beautiful!!!!!!

“It’s never felt like this before - like dying and coming back alive.” NOT YOU WRITING THE MOST EARTH SHATTERING SMUT OF ALL TIME AND THROWING IN THESE THINGS IN THE MIDDLE OF IT THEY TAKE MY BREATH AWAY!!!! THERE’S SO MUCH EMOTION HERE, SO MUCH MEANING!!!!!!

“Bradley’s heart clenches. Maybe, he thinks, his ribcage is going to crack open. It seems impossible for one person to hold so much love inside.” 😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭 no words. just the crying emoji!!!!! 😭😭😭😭😭😭

“I got you” I AM PASSING AWAYYYYYYYYY

“You shake your head, lift one hand to run a finger across his mustache the way you like to do sometimes.” favorite little detail!!!!!!

“I’m trying to keep my cum in you. Maybe we’re like super extra lucky, and it works out on the first try.” HE IS SO STUPID I AM IN LOVE WITH HIM.

“Then you’re laughing together, breathless, loud laughter, the bending-at-the-waist kind. The belly-hurting kind. The kind that doesn’t come often.

And it’s good. It’s beautiful. It’s the kind of peace he’s never known before but has wanted always, always, always.” ❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️

“I love you,” he says, “more than I thought I could love someone. Thanks for loving me back.” THANK FOR LOVING ME BACK?????? THIS IS MOST ROMANTIC SHIT I’VE EVER READ IN MY LIFE???????!!!!!!!! AND IT’S SO ROOSTER!!!!!

“For the first time, Bradley doesn’t think about dying, doesn’t think about leaving. He thinks about living. He thinks about staying.” AND THEN YOU END IT LIKE THIS!!!!!!!!!!! IT’S PERFECT.

perfect. perfect. perfect.

ocean in a seashell . ( rooster )

pairing ; bradley bradshaw x female!reader

synopsis ; bradley has lived with his father’s ghost for long enough to know he’ll never make the same mistakes he did. and then he meets you.

wc ; 10.5k i'm sorry

warnings ; 18+ only, minors do NOT interact; bradley bradshaw's sad, sad life; angst, literally SO much angst; mentions of canon past character death; near-death experience; alcohol abuse; explicit language; explicit sexual content (breeding kink, cumplay, p in v, dirty talk, fingering, idk?)

note: ... yeah i don't fucking know either goodbye. stole the title from "sidelines" by phoebe bridgers aka god.

sol. sunderlust... none of this would be possible without you, thank you forever.

Bradley doesn’t remember much about his father.

These days, he recalls him only in fractions: Hawaiian shirts, mustache, hair that stood up spikey like grass covered in the first tentative November frost. He had big hands, Bradley remembers that, and he used to swing him up on his shoulders and let him ride around living rooms in Army commissioned houses they never stayed in longer than a few months. He always smelled of engine oil, and he played pianos like he didn’t even know the meaning of the word embarrassment.

Bradley based his whole life on the fading glimpses of that man he carries locked in the chambers of his heart. The older he gets, the more gaps he finds.

Suddenly he’s taller than Goose ever was, older, ranked higher. He wants to say, wait, hold on, go back. Wants to rewind to a time when he felt closer to his father, when he could remember what his voice sounded like, what it felt like when he tucked him into bed. When he thought if he just sat by the front door long enough, his father would inevitably walk through it again, hoist him into the air, and press tickling kisses to his cheeks.

Sometimes, Bradley wishes he could go back to when he thought bad things happened only in movies. When he had a father and a mother and an uncle and the bone-deep, unconscious conviction that things would always stay this way.

He can’t remember the day Goose died. Can’t remember Mav coming to the house, can’t remember the dog tags pressed into his mother’s hands. Strange how the most significant day of his little life remains in his memory as just another day - morning cartoons and PB&J sandwiches and his mom reading him a bedtime story. Part of Bradley thinks it’s unfair, his whole world crashing down and him not even remembering it. Like he’s arriving late for a movie and can’t make sense of the plot.

Not once did he see his mother cry over his father. He’s sure she must have shed tears, remembers now the empty tissue boxes and the eyes rimmed in red, understands now what he was too young to see then. But Carol carried her grief like a secret. She locked it behind the mahogany of her bedroom door, she hid it behind the veneer of her smile.

Bradley is nineteen, standing at his mother’s open grave, when he decides he’s never going to do to someone what Goose did to her. What he did to him.

For a while, he wants nothing to do with the memory of that man. Wraps himself in his mother, toys with the idea of taking her maiden name. Goes to college and gets drunk, gets high, gets himself into trouble. Thinks sometimes, in his very darkest moments, that maybe the best thing he could do for the world is to stop existing.

One night lands him at the police station. And it’s not like he got arrested or anything, they just take him in to sober up and tell him to call somebody to come get him. Mav is in town, thank God, and he comes in wearing his old aviator jacket and a wistful expression. Bradley’s call probably pulled him out of some bar or some girl or both.

Mav doesn’t say much, just drives him back to his college dorm and pulls over to the curb, doesn’t even turn off the car. They sit there in silence, with the blinker going and the engine purring.

Finally, Mav says, “Sometimes, you remind me so much of your father, it scares me.”

Bradley doesn’t know what to say to that, so he says nothing. Sits there for a little longer and watches as frat bros and law students and cheerleaders cross the street on their way to hook-ups, to parties, to midnight fast food runs. Envies them just for a moment. Then, without saying goodbye, gets out of the car, goes to his room, and buries himself beneath the weight of his blankets.

So it’s like Bradley always suspected. It really is a futile thing, trying to escape the memory of his father. His ghost lives inside Bradley’s chest. Rattles against his bones.

And he loves him, even if he doesn’t remember him. Thinks that love is some intrinsic, primordial thing. Something that was there before he was born and will be there after he dies. Something he can’t fight. Unstoppable like the tide.

So he embraces it instead. Tries growing a mustache he’ll only be able to pull off much later in life, gets those old Hawaiian shirts out of storage. Decides to give into the underlying current of longing he’s felt every time he tipped his head back and looked at the sky.

Accepting that he loves his father is much easier than he thought it would be. Much easier than hating him.

It’s good for a while because it feels like he has a purpose, a goal. For so long, Bradley has been drifting at sea, unmoored, unbound, with no sense of direction. Now he’s swimming toward something, broad strokes, every move deliberate.

Then Mav pulls his papers.

The worst part of it all, worse than the betrayal, worse than the anger, is the confusion. He thought Mav would understand. Mav of all people. 

(It’s his mother, setting a casserole on the table, smiling at Bradley and saying Pete over here, he’s the craziest pilot the Navy’s ever seen. It’s his sixth Christmas, the second one without his dad, and Mav gives him a model of a plane they’ll build together. It’s Mav staring at him with eyes gleaming with moisture the time he stole the Navy hat from his uncle’s head. It’s Mav in every memory of his life, laced so tightly to him he thought they were inseparable, woven together. Now the seams are coming apart.)

Mav, who keeps flying, who seems only to be a real, complete person for those few, short, fleeting moments just after he steps off a plane. Who’s never happy unless he’s going break-neck speed miles and miles above the ground, jumping off death’s shovel, laughing, flipping the bird, and saying look, I can fly!

If Maverick doesn’t understand why Bradley wants to fly, why he needs to fly, then who ever could?

Mav wants to explain it, calls him, shows up at his apartment. Bradley declines the calls, turns off all the lights, and sits on his couch in perfect silence, pretending he isn’t in.

He doesn’t want to hear explanations, doesn’t want to listen to excuses. He wants to fly.

Back when his mother was alive, she wouldn’t even let him get on an airplane. His whole childhood, they only left their state once to go to a funeral of some distant aunt or cousin or uncle, Bradley can’t remember, and his mother drove the whole ten hours there and back. It didn’t even register as anything weird to him - it was all juice boxes and gas station ice cream and goldies on the radio. It was his mom’s laughter and her smile and her fingers carding strands of hair warmed by the sun out of his eyes.

So Bradley remembers his mother every time he gets into a car. But his dad? Him, he can only get above the clouds.

He doesn’t give up. He finishes college, works odd jobs for some money, drifts further and further from the orbit he used to inhabit. And then he applies to the academy again, and then he goes to Top Gun, and he graduates top of his class and wonders what it would feel like if there were somebody to be proud of him. If somebody were congratulating him, taking him out for a celebratory dinner, or just somebody to hug him. What it would feel like if he weren’t so alone.

It’s what he dreams about sometimes, in the very darkest pockets of the night. A house with a swing set and a big, smiling, dumb dog and a pretty wife and a whole gaggle of children running through the garden. Bradley would teach them how to throw a football, and he’d carry them to bed at night, and his wife would smile at him, and there would always be food in the fridge and brownies on the table, and every room would be filled with love, and there would be no ghosts to haunt him.

It’s a dangerous fantasy. It’s a trap door, a slippery slope, it’s a snare, it’s a cliff’s edge. If he stays in it too long, he’ll be lost.

His mother always used to say he was a functional dreamer. He had his head stuck in the clouds, sure, but he knew exactly when to pull it out of there too. Maybe that’s why he’s such a good pilot.

So Bradley still is a functional dreamer. He knows that this is something he can never have, can never allow himself to have. He knows the pain of it too well, too intimately, still feels it every time he catches sight of his reflection in a mirror, the golden streaks of sun in his hair, the mustache, the split second of pure, blank horror, of oh god I look like him, I look so much like him, and feels it slice right through him like a knife through butter. He’s been carrying his father’s ghost for so long, sometimes it feels like his spine will crack under the weight.

Maybe people that live life like he does, like Mav does, like his father did - up in the sky, heads in the clouds - aren’t meant to have anything on the ground. Inevitably, they always end up leaving it.

He decided the day of his mother’s funeral, before the long procession of I’m sorrys and If you need anythings, before he let real estate agents into a house overflowing with cards and flowers - flowers in every room, flowers blooming and wilting and dying like a garden watered by his grief, like a garden watered by his ghosts - that he would never have a family. Not a wife to mourn him, not a child to miss him.

So there’ll be nobody to carry the burden of him.

And then he meets you.

It’s not momentous - it’s easy. Natural. Quicker than he thought possible. It’s stolen glances across a room and a smile that brands him like a mark, that cuts right through to the bone. A smile that settles in his heart. A smile that’ll never leave again.

In the beginning, he tries to fight it. Tells himself not to engage, not to get involved, to stay out of the mess he knows he’ll make here inevitably. To shield him, but to shield you too, to protect you from whatever hurt he’s going to inflict sooner or later.

But then it goes like this:

“Are you never going to ask me out, Bradshaw?” you ask him, smiling as you pluck his Ray Bans from him, as you place them on your own nose, and blink at him from over the rims.

The sun is casting you in gold. Bradley wants to catch the moment in a mason jar and put it on his bedside table. Let the glow illuminate his nights.

“I don’t think….” He trails off, wonders why it’s so easy for him to talk to you, why he can’t stop spilling truths like leaking water taps. “I don’t think I’ll be good for you.”

You don’t miss a beat. One eyebrow raising, you say, “And don’t you think that should be my decision?”

That’s when he knows that for him, you will always be it. That it’ll never be this way again with someone else. It’s not even a question. It’s just the truth.

When he’s with you, for the first time since he sat shotgun in a car with his mother, head nodding along to Elvis on the radio, Bradley feels like he belongs somewhere. Like he’s reached a shore, maybe. Like he can breathe.

For the first time, it feels like he knows peace, even with his feet on the ground.

His mother would have loved you.

You have a long conversation about it. About how he knows you want it - the diapers and the first days of school and the family Christmases. The pitter-patter of children’s feet, the cribs, the tiny fingers curling around your thumb. He knows you’ve dreamed of it all your life. And Bradley also knows, as much as it hurts, as much as it aches, that he can never give it to you.

He needs to be honest. He needs to put all the cards on the table so you know your options, see the truth about him. So you can walk away before you get any deeper into this.

Part of him is sure you will. Thinks it might be better, the safest option for both of you. Hopes you will, fears you will.

It doesn’t matter that he loves you. It doesn’t matter that he only feels at peace when he’s with you. It doesn’t matter that for the first time since he was four years old, the ghosts have gone quiet.

What matters is that he wants you to be happy. What matters is that if that happiness lies somewhere else, with someone else, with someone who’ll give you everything you dream of, give you a life, give you a child… Bradley will let you go. It’ll be the hardest thing he’s ever done, but he will.

Only you don’t leave.

You think about it for a very, very long time. Sit at his kitchen table with your hands folded on the tablecloth like you’re praying, with your head turned down, without looking at him, and then finally you say, “Alright. Fine with me.”

And Bradley’s protesting, pushing, saying, “Honey, you want this, I know you do, you want a family, you….”

“I want you more,” you say, and that’s that.

There’s no lie to it. It’s the truth, naked and beautiful and awful.

And Bradley - selfish as he is - accepts it. Because he doesn’t want to lose you. Because as much as he tries to convince himself of the opposite, deep down, he knows he’s not a good man. Just like his father wasn’t. They’re both just men willing to leave the people they love behind. Brave enough to fight for the “greater good”, but never brave enough to stay.

Regardless of it all, it’s the happiest Bradley has been in years. With you, he doesn’t feel like something is missing from him. He actually feels whole.

Your job as a freelancer allows you to travel with him, and he’s unspeakably grateful for it. He tries to show you, tries to be good about bringing flowers and cooking dinner, thinks if he can make you even a fraction as happy as you make him, he’ll have succeeded. When he gets deployed, he spends days memorizing your face, the shape of your throat where your pulse point jumps, the pattern of your heartbeat, the feeling of you beneath his arm.

And sometimes, when you’re asleep, Bradley puts his hand on your stomach and imagines a bump there, imagines a baby growing beneath it, and that’s when the ache gets so strong he thinks he can’t breathe.

That’s when he hates himself for not being something else: a doctor, an accountant, a real estate agent. Anything other than what he is. Could he have it then, this thing you both want so much? Could he let himself have it?

But eventually, when the fantasies fade, he always circles back to the truth: Bradley isn’t a doctor or an accountant or a real estate agent. He’s a pilot. Always has been, always will be.

He’s just too much like his father. That’s the whole point.

When he gets called back to Top Gun, three years after he met you, something shifts. He doesn’t know to explain it, but from the very first moment he sets foot on North Island again, something about it tastes like the beginning of an end. At night, he can’t settle, roams through the little house you rent off base like a sleepwalker. Checks in on you like he’s afraid you’re going to disappear. Can’t concentrate up in the air, can’t shut his brain off.

It’s like his father’s ghost travels with him in his suitcases, tucked between his neatly folded shirts, climbs out when no one’s looking. No matter where he goes, that ghost goes too. He can’t shake him.

You love California. You like the sunshine and the ocean. Like the Hard Deck and Penny and Phoenix. Turn your face into the warmth like a sunflower, and then you bloom, go brighter and brighter as Bradley goes the opposite direction. As something in him dims.

“Is it because of Mav?” you ask him softly, in the quiet of your bedroom. You’re carding hair from his forehead, fingers gentle, voice gentler.

Bradley can’t look at you. Shame coils low in his stomach.

“Yes,” he says, even if it feels like a lie in his mouth.

You sigh, no annoyance, only affection. Your head is heavy on his shoulder as you press the shape of a yawn into his skin.

“I know he hurt you, Bradley,” you whisper. “It’s okay to be hurt. But I think you need to talk to him.”

He nods into the darkness. You’re right. You’re always right.

“I know,” he agrees, even though he knows he won’t.

When you’re asleep, Bradley slips out of bed. Pats into the living room and sits on the floor, back leaning against the couch. Pulls his knees up to his chest, closes his eyes, and then he dreams.

He dreams he’s four riding on his father’s shoulders through the living room. He dreams he’s ten, in a car with his mother, turning up the radio. He dreams he’s twenty, and he lets Mav explain. He dreams he’s thirty-five, and he marries you. He dreams he’s thirty-six and holding his baby. He dreams it’s a little girl with your smile and his eyes, and he loves her more than he thought he was capable of, so much it almost breaks him apart, so much it puts him back together. So much it’s worth it all.

Bradley’s earliest memory is of the giant, bone-white seashell on his grandmother’s mantlepiece. He remembers how heavy it was, remembers how cold it felt against the side of his face when he pressed it to his ear. He remembers hearing the distant, muffled hum of the waves, the song of the sea, remembers imagining what it might look like. 

It’s no comparison to the real thing, years and years and years later, he knows this, but it’s something. It’s better than nothing.

It’s all he can allow himself—an ocean in a seashell.

The mission is a disaster, even if it is successful. Later, Bradley won’t remember what he was thinking up in the air, when he hit the target, when Mav went down, when he decided to go after him. He won’t even be able to tell if that is because he’s in shock or because he really wasn’t thinking anything. Maybe for the first time in his life.

If he had been thinking, Bradley likes to believe he would have kept his plane on course. Would have flown back to the carrier and then back to you, home, home, home. Wouldn’t have gone back for a man he still hasn’t spoken to, not properly, someone he loved once and now barely knows.

But all the ghosts of the people he’s loved and lost crowd up on him in that cockpit - his father and his mother and even Admiral Kazansky and their sad, sad eyes. There’s no room for Mav to be up there, too, he thinks.

So at first, you don’t cross his mind at all. He just follows his instincts like he’s never done before, could never bring himself to do. So much of Bradley’s life has been about dissecting just those urges, dismantling them, disabling them. Making himself into a creature of logic and second-guessing. Now, for the first time, he gives in to the currents and lets himself be rushed away.

And then his plane goes down, and he drifts into the white white white of snow he hasn’t felt in so long - and still, he doesn’t think. But every instinct from the moment of impact on, the moment his feet hit the ground, every instinct centers on you.

Home, he thinks. I need to get home to her.

Up in that F-14, that’s when he realizes. The brink of death is a bleak place. It’s a place of memories, a place of despair. It’s a place of hope.

All he can think of is you. How he’s leaving you with nothing. How he’s going to die here, miles above the ocean, and what will happen then? Who’s going to bring you his dog tags, the way Mav had brought his father’s to Carole all those years ago? Phoenix? Hangman? How are they even going to retrieve them if he goes down in enemy territory? Will anybody even remember the girl in that house, the one he didn’t even marry? And why didn’t he anyway? Why didn’t he put a ring on your finger, buy you a house, get you a dog, give you a baby?

What will remain of him now, in this world after he’s gone?

Nothing, he thinks, and his lungs fill with water, high up in the sky. You made damn sure of that, Bradley.

There will be nobody to haunt. He will disappear, and he will take his mother with him, will take his father with him, will take Mav with him. Nobody to remember him. Nobody to mourn him except you, all alone, carrying the terrible burden of his ghost.

It used to be a relief. Nobody to mourn me after I’m gone. Now it feels like a punishment.

Home, he thinks, remembering the content of your smile and your eyes gleaming in the darkness and your face turning, always turning, toward the sun. Like a child, as he closes his eyes, as he tries to accept the inevitable, he thinks, I want to go home. I just want to go home.

And then that’s what he does—he and Mav. Incredibly, inexplicably, illogically, they go home.

From far away, as he walks up the driveway, the little house with the gardenias you planted blooming pink and red in front of the windows looks like an oasis at first. Then it seems to grow longer, taller, goes from beckoning to daunting. He almost doesn’t make it inside. Almost doesn’t dare to get out his keys, unlock the front door, push through and toe off his shoes. Feels like he’s doing something forbidden, like he’s an unwanted guest in his own home.

You’re in the kitchen, elbows deep in sudsy dishwater, and when he walks through the doorway, when you hear the pat of his socked feet against the tiled floors, you look up at him with an open face full of love, full of relief. It almost bowls him over.

“Bradley,” you whisper, voice soft, and then you’re crossing the room, bubbles and foam and water dripping from your wrists across the tile, and he blinks at the trail you leave for a moment. Then you’re there, arms wrapping around his neck, face pressing against his shoulder, saying his name again and again, like a benediction, like a prayer of thanks.

Automatically, he pulls you against him with both arms crossed over your hips. Inhales deep, lets the familiar scent of you envelop him. Listens to your breath echoing against the dip of his collarbone, to the steady rhythm of your heart.

Your hands leave wet prints against the fabric of his shirt, like something primeval pressed to cave walls, like something that’s been happening for centuries, something that is happening right now, something that will happen again tomorrow and next year and the year after that, and distantly, dumbly, Bradley thinks, Oh. I’m alive. I’m here.

He feels packed in cotton. He feels submerged. He feels not-real, not-present, not-normal. He feels like he’s going to fall apart, and no one will notice.

When you draw back, it takes you only a split second to realize something’s wrong. You frown, the furrow Bradley likes to smooth out with his thumb appearing between your eyebrows, eyes swimming with a concern he doesn’t deserve.

“What happened?”

It’s classified, all of it. There’s so much of his life Bradley isn’t allowed to share with you, even if he wants to. There’s so much he doesn’t want to share but knows he should.

From far away, he hears himself say, “My plane went down.”

He can feel the panic in your body, feels it go through you like a spasm. You try to draw back, but he holds you where you are, afraid he’s going to shatter all across the kitchen floor the moment you’re gone.

It’s not fair, he thinks, how he keeps looking to you to hold him together. It’s just that at the end of the day, you’ve always been so much stronger than him.

“Bradley…” you begin to say, but he can’t hear it. He doesn’t want to hear it. He doesn’t want to hear how scared you are every time he leaves, he doesn’t want to hear how it made you feel to know that he almost died because he already knows. He knows.

“I want…” he says into your hair, a fragment of a sentence, a statement that trails off halfway, that goes nowhere. He doesn’t even know what he’s trying to say.

In some ways, he feels stuck in that F-14. Like time kept moving, but he didn’t, remained static and crystallized like somebody dipped the moment in amber and preserved it on a bookshelf. Nothing makes sense to him. Rationally, he knows he’s standing here in his kitchen with you in his arms, knows he isn’t dead, knows he survived, but it doesn’t feel like it. 

So Bradley tries to remember grounding exercises, focuses on little things, mundane things, things that shouldn’t exist on the verge of death. The bubbles popping in the sink. The specks of dust dancing through the room. The curve of your spine beneath the worn fabric of his Navy shirt.

Suddenly, the thought of you alone in this house is unbearable. Waiting for a man that never comes back. History repeating itself in the worst of ways.

“I want to have a baby,” he says, out of nowhere, out of some madness that took hold of him up in the air, or maybe when he touched the ground, or maybe at some other point he can’t name, can’t even think.

And it’s not a conscious thought. It’s not a decision he makes. It’s just something that spills from him, something that has been there unnoticed all along, words taking shape on his tongue before he can overthink their meaning, but then they’re out, and they drop between you like an anvil, and it’s like a relief, it’s like a breath he’s been holding for years, it’s like a sigh, something inside of him finally unlatching, finally escaping the shackles he put on it himself.

Oh, he thinks. He’s known this about himself, always, but it’s the first time he says it out loud. It’s always been a want, an ache, a yearning, but now it goes from all that to a need, a thrumming inside of him, something that cannot be ignored. Something that demands to be felt instead of thought.

In his arms, you stiffen.

With your palms on his chest, you push him away from you, take a step back, take the warmth and the scent and the anchor with you. Bradley is surprised he doesn’t float right up to the ceiling.

The openness of your face has shuttered now. You look at him with something unreadable crossing your features, something unfamiliar, and say, “What did you just say?”

Bradley swallows around a lump in his throat. “I want to have a baby,” he repeats, his voice smaller now, quieter, but the words more assured.

Because he does. Because it’s true. Because he’s always wanted this and doesn’t know how to explain to you that now he needs it. How now it’s the only thing that makes sense in a world that’s gone off the rails.

Your face falls, something crumbles, and it hits him like a punch to the gut. 

“No,” you say, turning away from him. You step right into the trail of water you left earlier, it soaks into your socks, and then you’re leaving footprints too. Everywhere you go, you leave your mark like a brand. Not one part of Bradley has been left untouched.

Confusion zaps through him, but it’s a muted feeling. Muffled by all the chaos.

“I thought you….” It’s a great effort to form words, like pulling teeth. “You want children. Don’t you want this?”

“Not like…” You pause, rake your fingers through your hair, exasperation crackling from you like sparks from a burned-out socket, and Bradley can’t make sense of it.

You want this, he knows you do. So what’s the problem now? What did he do wrong?

“I don’t….”

“Don’t go there.”

There’s a finality to your voice, and he sees you drawing back from him, sees your shoulders come up, your face turning away, something wilting.

The idea of losing you, of pushing you away now that he’s finally decided to let you in, really let you in, the panic of it finally slices through the haze. Lifts the fog.

Bradley crosses the room and says, “It’s your decision too, honey, of course, it is, but I love you, and I want this, and….”

You whirl on him, and it punches the air out of his lungs. There’s real anger on your face now, your eyes sparkling with unshed tears, and Bradley’s heart clenches in answer.

“You don’t get to do this,” you say, voice heaving with the barely contained emotion, a ship on a stormy sea, “not after I compromised, not after I spent so long trying to get used to the idea of not having a baby, not after giving that up for you, Bradley. You don’t… don’t get to just come in here and change your mind just because it suits you, because you had some near-death experience and you’re full of adrenaline and… and….”

Bradley frowns, moves to touch you, but you flinch away from him, one arm going up to hug your own ribcage. As if you have to shield yourself from him.

Suddenly, he feels a sob building in his throat. To realize how much he’s hurt you, not just today by springing this on you, but by how selfish he was, again and again. By letting his past stand in the way of your future.

“It’s not that I changed my mind,” he begins, trying to string together something that will make you see the truth of it, make you understand what he means.

You interrupt, “You said you didn’t want kids.”

Bradley pauses. Did he say that? If he did… 

“And it…” You gasp for breath, the tears now streaming freely down your face, and god, it hurts, it hurts worse than thinking he lost Mav, hurts worse than thinking he’d die in that F-14 because all of that he’d been prepared for, had been practicing for his whole life. Losing Maverick, losing himself, all of that had been inevitable. But losing you… Bradley always assumed he was going to be the one to go first. 

“It’s fine,” you go on. “I was fine with it, Bradley, I gave that dream up because… because I wanted you more, and I was okay with it. It was my decision, and I don’t regret it, but for you to just… to just….”

“I do want children,” he says because he doesn’t know what to do except explain it, except make you see the truth of it all. “I’ve always… I’ve always wanted children, honey. I just… after what happened to my dad, after what that did to me, what it did to my mother, I didn’t… I didn’t want to do that to you. I couldn’t do that to you.”

For a moment, you say nothing, eyebrows furrowed, lower lip caught between your teeth.

“You…” You look like you’re trying very hard to understand it. “Are you saying you decided not to have children with me because you thought it would hurt me too much if you died?”

When you say it like that, out loud, logically, through your tears, it sounds so incredibly stupid.

Bradley opens and closes his mouth, once, twice. Finally, he nods.

He expects you to start crying harder, to hit him (all valid reactions, really), but instead, you do the one thing he doesn’t expect: You laugh. It’s a watery sound, barely amused, but it is a laugh.

You bury your face in your hands, then reemerge after a moment, eyes rimmed in red, and say, “God, Bradley, you’re so stupid.”

“I…” He doesn’t know what to say to that. Probably, you’re right. “What?”

“You just…” You exhale a long, shuddering breath. “You keep trying to make decisions without me.”

“... I do?”

“Yeah!” Your voice rises a little, then settles, and you say, “This is my decision as much as it’s yours. If I say I want it, if I say I know the risk and I know the danger, then you don’t get to tell me no. Do you think I’m dumb? Do you think I don’t understand what goes on when you get deployed? Do you think I don’t know that you’re risking your life all the time?”

“No, I… I know you know that.”

You shrug, and it’s a gesture of such helplessness that Bradley’s knees almost buckle.

“I don’t know what’s going to happen tomorrow. I don’t know if… if one day there’s going to be a mission you don’t come back from. I don’t know that, Bradley. I can’t know that. But until then… can’t you just let us be happy?”

Bradley’s shaking. Head to toe, tremors that run through him like the tides. Unstoppable. Unrelenting.

“I…” And he knows he’s the one who brought it up, but suddenly all the doubts come crashing down. Suddenly the ghosts crowd around him. “What if I die? What if I leave you? What if we have a baby and I’m not… there?”

“Oh, Bradley…” Something on your face melts. You step closer, put a hand on his cheek, fingertips still pruned from the water, and say, so gently it breaks something open inside of him, “Bradley. You’re not your father.”

And Bradley can’t help it - he cries. It’s an ugly sort of crying, the sort that leaves you with a headache and snot dripping down your face and eyes that hurt. The one you feel in the morning. But it’s a relief too. A release. Rain after years and years of drought.

For so long, Bradley was trying to let go of a world that didn’t want him to leave. He’s been preparing for an early exit since he entered, has been so caught up in dreaming he forgot to live. So caught up in thinking he forgot to do. He thought he would be content to go out of this world and leave nothing behind, to disappear without a trace, without a word, without a ghost.

But now he sees it clearly. Now he understands.

Bradley doesn’t want to stop existing. He wants to cling to this world like someone clinging to the edge of a cliff, like a leech, like a cancer. He wants to haunt someone.

Only there’s something else, too. 

A week before his mother died, when she had gone all quiet, when she had lost the vibrancy she used to carry around like a glow, when she had slept longer and spoke less and Bradley had known, somewhere deep inside of him, that things were ending, that they were truly ending, he’d gathered all his courage and asked a question he’d been rehearsing for weeks, months, years.

“Do you regret it?”

Do you regret loving my father now, knowing all that would come after? Knowing the landslide it really was?

And Carol had just smiled, something of that old light returning for a moment, a tenderness so big it felt like violence, and she’d said, “I could never regret him. Not even the heartbreak or the grief or the pain. After all, he gave me you, didn’t he?”

Maybe, he thinks, it’s time to let the past be in the past. Maybe it’s time to let himself have a future.

Maybe it’s time to let go of the ghost.

And you just hold him as he cries like he hasn’t since he locked himself in a bathroom stall after his mother’s funeral, cries until it feels like he’s going to throw up, cries until the gnashing teeth of grief of pain of hurt of anger finally leave him be.

After half an eternity, you pull away, warm hands cupping his face, tugging him gently away from the crook of your neck, so he has to look at you, can’t look anywhere but at you, and then you say, “Bradley, what happened to your father was a horrible, terrible accident. But he loved you. You know that, don’t you?”

He nods. His father, the hazy shape of him, the ghost he’s carried for so long - frosted tips and Hawaiian shirts and the smell of motor oil. Large hands and a mustache and rides around living rooms. So much of him is shadowed, fractioned, incomplete, but not this. This he knows. When he thinks of his father, there’s nothing now but the hazy, easy warmth of love. 

“Do you really think,” you say softly, “that they made a mistake when they had you? Your parents? Do you really think they shouldn’t have done it?”

Bradley has thought about his life in boxes. Big cardboard ones, the kind you get when you move apartments. He tucks the good parts away beneath his bed, stows them, hoards them like a secret. Like his mother kept her grief. But all the bad parts - the pain and the sadness and the sorrow - those he lets pile up everywhere, in hallways, in living rooms, on kitchen tables. He stumbles over them on his way to the bathroom. He stubs his toe halfway to the closet.

He never looks at those good parts, afraid they’ll become tainted somehow if he thinks about them for too long, afraid they’ll lose their appeal or their strength. But there’s so much good there too.

Goose loved him, he knows this without a doubt. Carole loved him. Mav loves him, Phoenix loves him, you love him… At the end of it all, even despite all the terrible things that have happened to him, even with the ghosts that have haunted him for so long, Bradley has been loved, and he has lived, and he has been happy.

Shouldn’t that be worth something, too?

“No,” he says, voice soft, “no, I’m glad they had me.”

His life has been a long, long road. Difficult to walk sometimes, full of potholes, some as big as canyons. But there’s so much happiness there, too - car rides with his mother, Mav telling him stories about his father, the moment when the wheels lift off the tarmac at take-off. This long, terrible, winding road that led him here. That led him to you.

You brush your fingertips across his cheekbone, and Bradley capsizes.

“I love you,” he says, and it’s the truest thing he’s ever said. It’s the truest thing he’s ever known. “I want… I want to have a life with you.”

“You do,” you answer. “You have one.”

Bradley’s tears have dried so the sound he makes isn’t really a sob, but it’s damn close to one. 

“Do you…” He clears his throat. “You love me, too?”

It’s a dumb question, unnecessary because he already knows the answer. But he needs to hear you say it anyway.

And when you smile, your whole face lights up. It echoes somewhere inside Bradley, somewhere at his core, goes through him like a current.

“Bradley Bradshaw,” you say, and there’s only a little bit of amusement in your voice, “you’re the love of my life.”

His heart jumps like a jackknife in his chest.

Before he recognizes that he’s made the conscious decision to do so, he’s bridged the space between you and has pulled you into a searing, soaring, slow kiss. He fumbles it a little, teeth knocking against yours, but you just laugh into it, going up on your tiptoes, arms wrapping around his neck, pulling yourself closer to him like you want to meld yourself to his bones. Bradley feels like somebody’s poured liquid sunlight into his chest.

Somewhere it goes heated, goes desperate, goes near frantic, all the adrenaline, all the fear, everything pouring from him in a shower of want. Somehow he’s got you pressed up against the counter, tongue tangled with yours, fingers in your hair, fingers on your back, fingers pulling up the edge of the shirt you’ve stolen from him to find the warm, soft skin beneath.

Breathless, heart stuttering, Bradley pulls away, looks at your lips swollen from the tug of his teeth, your eyes with the heavy lids, the hair mussed by his fingers, and he needs to hear it. Needs to know you want this as much as he does. The ache in him twists like a knife between the ribs.

“Tell me,” he whispers, afraid the moment will shatter if he makes a wrong move, speaks too loudly. It’s so fragile - he wants to protect it so fiercely. Presses the tips of his fingers into the place where your pulse hammers away. “Tell me you want to have a baby with me.”

“I want…” And you sigh, a sound like a spring day, a sound like a rushing mountain stream. “I want it.”

He surges forward, lips against yours again, and you’re so alive beneath him, heart racing, breath heaving, fingers grappling along his neck, his shoulders, his chest, his arms, and Bradley wants to devour you. Wants to sink his teeth into all this life and never let it go again. He wants to exist, right here, in this moment with you forever.

“I love you,” he mumbles into your neck, lets his mouth move over the column of your throat, down to the sharp points of your collarbones beneath the soft skin. Sinks to his knees on the kitchen tiles like he’s kneeling at an altar to pray.

“Bradley,” you whisper, fingers going to tangle in his hair, to smooth along the sides of his face, and the softness in your voice cracks something in him. He swears he could cry again.

He doesn’t even know what he’s doing as he nuzzles his nose against the sloping curve of your upper thigh, as his fingers tighten on your hips. He just wants to be close to you. And you’re so soft, so warm, you smell like home, and it tears through him, blazes everything in its wake, to realize just how close he came to losing it all.

“I’m gonna marry you,” he whispers, babbles, barely coherent, pressing his face against the fabric of your panties, inhaling your scent, opening his mouth to push his tongue where he knows your clit is. “Gonna make you so happy, baby, I promise, it’s all I want. I’m never letting you go again, I’m never….”

Above him, you whimper, hips knocking forward, arching into the movement of his tongue for a moment, and he wonders if you’re wet, thinks about the hot, tight vice of your cunt, and groans against you. His cock jumps.

Then you’re tugging him away from you by the hair, and Bradley goes reluctantly, mouth still open, wishing he could stay where he was forever. Drowning in you. 

You’re looking down at him with eyes blown wide.

“Bradley,” you say, and there’s something unsteady to your voice. “Take me to bed.”

He doesn’t need to be told twice. It’s a tumble all the way to your bedroom - he kicks off his shoes on the way, you lose your shirt, and he’s somehow, miraculously, gotten down to his boxers by the time he drags you backward with him onto the mattress.

“I love you,” he says as he drags you on top of him, your legs opening around his hips like the petals of a flower. The mattress dips where your knees press against the springs, your weight grounds him. “I love you, you’re so perfect, you’re….”

He has no idea what he’s saying. His brain checked out a while ago, and it’s all just feelings now, just emotions coursing through him, and every once in a while, one will plunge its head through the surface, and then he’ll tell you something nonsensical, something dumb, something important, something he needs you to know, something…

You lean down to kiss him, to shut him up, his brain buzzes, your breasts press to his bare chest, and he’s so hard in his boxers it hurts.

“I love you, too,” you whisper against his lips, smile into the kiss. The curve of it burns against Bradley’s face.

He sits up, grasps you by the thighs to drag you closer, drag your core across his cock, and you both moan against each other. Your fingernails scrape over the back of his neck, where his hair is buzzed so short he knows it feels like prickles, and he shudders, sighs, lets his tongue run across your teeth.

For a while, you just stay like that, rutting against each other like fucking teenagers, tongues lazy, fingers eager, mouths hungry. Even through your panties, he can feel your wetness, wonders if it’s going to leave stains on his underwear, across his thighs. Bradley thinks he’s going to die, but this time it’s nothing like it was up in the F-14.

It’s difficult in your position, awkward, but he gets a finger first on your clit, and then, when he finds you wet and swollen and open, he slides it right inside you. Watches your face as you squeeze your eyes shut, as your mouth falls open on a muffled gasp, as your head tips backward.

You’re the most beautiful thing he’s ever seen.

He fucks his finger in and out slowly, adds a second to stretch you, and then he’s saying, “Baby, honey, you’re so tight, you’re so fucking wet, god I….”

You whimper, and then you’re pulling off him, shimmying out of your panties, leaning down to tug his boxers off.

“Gotta have…” Your throat moves when you swallow as you clamber back into his lap. “Want you inside me, please, Bradley. I’m ready.”

He groans, something in his stomach yanking tight, and he’s pretty sure he’s leaking precum steadily by now.

There’s no time to tease, no need for it either, not when you’re both aching for it, not after what you’ve just gone through. The hot slide of him inside you, feeling you all around him, Bradley thinks that might be the only thing that could make him realize he’s actually back here, that it isn’t all just a dream, that he didn’t actually go down in that plane and has been stuck in some kind of cruel limbo for the past few days.

But there’s the other thing too. The need he can’t explain. The selfish, horrible, depraved thing he can share with nobody but you. That nobody but you would ever understand.

Slowly, tentatively, he places his palm on your stomach, fingers splaying wide, and leaves it there. He’s too scared to look at you, too scared of what you’ll think of him, too scared of what you’ll do once you find out how deep his desire runs, how desperately he wants this. Will you hate him? Will you be disgusted? Will you draw back, pull away, leave him alone with all his depravity and all his fears and all his sorrow? 

“I need… I want…” He can’t even finish the sentence, brain too foggy. Too scared to meet your eyes, Bradley just blinks at the sight in front of him, his big hand on your skin, and his heart seizes, his insides clench, and he can’t breathe, can’t, he’s going to…

Slowly, your fingers wrap around his wrist.

“Yes,” you breathe above him.

It’s a visceral thing. The words burn through him, wrap around him, curl into him. He surges forward to kiss you, desperate, a choked sound escaping him, and licks into your mouth. Around his wrist, your fingers tighten.

He pushes you back into the sheets, crawls over you and spreads your legs, slides between them where he belongs. When his gaze falls to your face, there’s so much trust there, so much love, and it cleaves him in two, just how much he loves you, just how much he needs you. He doesn’t have the words to express it, can only hope you understand what he means when he plunges into you without preamble, when he whispers your name against the shell of your ear, when he curves around you like he wants to shield you from everything bad in the world.

You moan, fingers coming up to grasp his arm where he’s balancing his weight on the elbows. Your mouth tips open, your eyes not straying from his for a second as he goes slow, as he goes deep, as he goes home. There’s an answer in that too.

“You’re so beautiful,” he says, voice choked as he bottoms out, as he holds himself perfectly still. “So tight and beautiful, and you’re all mine, and I’m yours and….”

“Bradley,” you stop him. Wrap your legs around his hips and pull him in. “It’s okay. You can move now.”

So he does.

It’s frantic from the first moment. It’s all the tension that’s been building up for years and years inside of him, all his love and all his longing finally laid open, and he can’t hold back anymore, not when he feels like he’s going to burst out of his own skin at any moment now.

The wet squeeze of your walls around his cock has his eyes rolling into the back of his head.

“Fuck,” he curses, hips pushing forward at an unsteady pace, as he leans down to kiss you again, as you open your mouth for him easily, as he nips at your lower lip.

And it’s so dumb - he’s inside of you, curled around you, his tongue tangled with your own, but Bradley wants you closer, still. Needs to know that you’re there with him, that he’s here with you, that he came home and he is letting himself have this, you’re letting him have it, and he loves you, he loves you, he…

Bradley takes his weight off his elbows, gets his arms around you, plasters himself to you, chest to chest, hip to hip, mouth finding the side of your neck, your collarbones. Like this, with his arms around your shoulders, it feels almost like he’s pulling you down to him with every thrust, like he slides just half an inch deeper into you.

You try to muffle a moan into his hair, but Bradley pulls your face away, keeps his pace as he says, “Wanna hear you. Let me hear you, baby, tell me how much you like it. You love it, don’t you? Love my cock, yeah? Love it when I fuck you?”

Maybe it’s pathetic, but Bradley needs to hear it. Needs to know you’re as desperate for him as he is for you. Needs to know you want it just as much.

On a thrust in, your walls flutter around him, and you whine, back arching a little, head sliding across the pillow as you nod.

“Yes,” you gasp, “I love it, Bradley, I love your cock. Thought about it while you were gone all the time, every night, I….”

Bradley groans, shudders, suddenly so close to the brink he needs to squeeze his eyes shut against the image of you - the glossy eyes, the swollen lips, the absolute ruin he’s reduced you to.

“Can’t say shit like that, baby,” he whispers, leaning to press tender kisses to the column of your throat. “Not when you’re this fucking wet, not when you’re making these sounds… you’re gonna make me cum.”

You giggle, then moan, head lolling to the side to give him better access. 

“Good,” you say, legs hiking higher up on his hips, his cock sliding deeper, “that’s the plan, isn’t it?”

If there were any air left in his lungs, Bradley would laugh with you. As it stands, he just ups the ante, going a little harder, watching as your eyelashes flutter, feeling your fingers spasm against the skin of his back.

It’s so hot in the room, both of you sticking to each other with sweat, and maybe that, too, should be disgusting, but Bradley doesn’t care. When he leans down to lick a long, wet stripe along the edge of your jaw, he tastes salt on his tongue.

“I’m gonna….” When he glances down at you, at the eyes wide with that much trust, as he realizes you would let him do just about anything to you, that you’ve both opened yourself to each other completely now, no barriers and no ghosts standing between you, it’s like a dam breaking. He moans, so loud it echoes through the room, leans to plunge his tongue into your mouth, desperate, and then he’s saying into it, “God, I’m gonna fuck you so full, honey, gonna fuck you until it takes, yeah? Gonna keep you right here and fill you up, again and again, gonna make sure to get a baby in you, fuck, you’d be so fucking pretty, honey, so pretty all full of me, I know it, I can….”

And you sob. Full-on. Back arching off the bed, legs sliding off his hips, spreading so wide it must hurt.

“Bradley,” you say, fingernails breaking skin, forehead pressing against his throat to hide your face. “Bradley, fuck, I… the pill….”

He’s shaking his head, cutting you off with his mouth on yours. Conveying what he can’t speak, what he’s too far gone to formulate, here where logic has become a distant, remote concept, here between your legs. Don’t say it. Let me live in this fantasy. Let me dream a little longer.

It’s the thought of it all - a bump beneath your dresses, a baby in your arms, tiny fingers wrapping around his thumb, it’s about the long, long stretch of life ahead of the two of you. It’s about a house filled with love and free of ghosts. It’s about the first glimpse of the ocean after listening to its roar in seashells all his life. It’s about giving himself over to you completely, after years of only dreaming of it.

Do you know? he wonders. Do you know that you’re holding his whole life in your hands?

“I love you,” he mumbles, repeats it as he sinks into you again and again, as he buries himself in you, as he holds onto you like he’ll be back in the cold, cold, cold of all that snow the moment he lets go, like he’ll go back to the cockpit with the ghosts like jailors around him, like he’ll float right off the face off the earth. You have always been his anchor. “I’m gonna give you a baby, honey, I promise, gonna cum inside of you, you want that, right? You want me to come right here in this pretty pussy, fill you up all nice and wet, and….”

Your mouth moves against his clavicle, the feel of it spreading like wildfire through him, and you’re saying, “Yes, yes, Bradley, give it to me, please, I wanna feel it, want you to come inside me, please, please, I need it, I….”

A yell punches from him as he thrusts inside one last time, buries himself to the hilt in your warmth, and then he’s panting, his ears are ringing, his veins are buzzing as he cums, as he paints you with his release. He can’t do anything except hold onto you, bury his face in your hair, inhaling your scent, jerking his hips forward erratically, little sounds escaping him. It’s never felt like this before - like dying and coming back alive. The release of it is so big he feels shattered under its weight. 

And you’re saying something to him, whispering words sticky with honey into his ear, pouring them right into his heart, and he can barely hear you over the hammering of his own heart, but it doesn’t matter. You hold him as he trembles, as he shakes, as he tries to collect himself, to control his breathing, hold him and stroke lazy, soft circles up and down his back, trace patterns against his spine, leave soft kisses on any inch of skin you can reach, trapped beneath his weight as you are.

Finally, after an eternity, Bradley pulls away an inch or two, careful not to let his cock slip out. There’s a little embarrassment spreading through his stomach now because he can’t believe he came that fast, can’t believe he didn’t even make sure to take you over the edge with him.

But you barely seem to think about your own lack of an orgasm.

“Are you okay?” you ask, voice gentle, face full of concern.

Bradley’s heart clenches. Maybe, he thinks, his ribcage is going to crack open. It seems impossible for one person to hold so much love inside.

“Are…” He clears his throat, suddenly unsure. “Are you?”

You nod immediately, smile, and the relief floods him. Then you shift, gasp, muscles fluttering around his softening cock.

“Well… I…”

He doesn’t let you finish, shakes his head, says, “You did so good for me, baby. Let me take care of you, yeah?”

He’s already looking at the place where you’re still connected, where his cum is beginning to drip from you in silvery trails. The sight of it is enough to make something like madness descend again, something like that earlier haze, the frenzy of the heat.

Bradley pulls out, sighs at the feeling, and your mouth opens as if in protest, but before you can form any words, he’s replaced his cock with two fingers.

You whimper, eyes closing, a muscle in your stomach jumping.

“I got you,” he says, keeps his eyes on the mess of your swollen cunt, the wet spot soaking into the mattress just beneath, the evidence of his pleasure, smooths his free hand over your chest to settle you. “Relax, honey. I got you.”

Your answer is a moan of his name, fingers twisting into the sheets. He can feel your walls bearing down on the motion of his fingers and knows you’re close, desperately, frantically, torturously close to the brink.

So he speeds up the movement of his digits, swipes his thumb through the sopping wetness, and then across your clit as he fucks his cum back into you. Not letting a single drop go to waste.

“Bradley,” you sob, mouth opening, fingers grappling for something.

Knowing what you need, knowing without you asking for it, he catches your hand with his own and interlaces your fingers. Then he leans down, leans over you, leans in. Finds the seam of your mouth with his own. It’s less of a kiss than both of you panting against each other, finding the same rhythm.

“You can let go now,” he whispers into you. “I’m here. I’ve got you, honey. My perfect girl.”

You come with his name on your lips, cunt clenching around his fingers, arching off the bed and into him, and it’s like a prayer. It’s like a song. 

It takes you a while to come down, and he coaxes you through it, brushes kisses against your lips and your jaw and your ear. Hopes he can ground you the same way you ground him.

Finally, softly, voice faint and fragile, you say, “That was… intense.”

Bradley hums in agreement, and then a laugh rips from him. Because it’s all so ridiculous and so monumental, and he doesn’t know where to go with all these emotions.

“I… yeah. It really was.” He pauses, feels shame curling through him. “I’m sorry I sprung that on you.”

You shake your head, lift one hand to run a finger across his mustache the way you like to do sometimes. 

“It’s okay,” you say, and he knows you mean it. “You must have carried that for a long time.”

It chokes him up, the way you know him so well. Better than anybody else.

“Yeah,” he agrees, drops his head into the crook of your neck. “It… I want you to know that I really want this. It’s not… it’s not adrenaline, and it’s not just almost dying, it’s… It’s you. I want this with you. Only with you.”

He can feel the curve of your smile against his temple, can hear it in your voice.

“I want it with you too, Bradley. Only with you.”

Bradley’s so afraid he’s going to start crying again that he springs into action instead. Reaches around you for a pillow to push beneath your hips, angle your lower body upwards.

“What are you doing?” you ask, laughing a little.

“I’m trying to keep my cum in you. Maybe we’re like super extra lucky, and it works out on the first try.”

Now you’re laughing in earnest, and he gets the impression it might be at his expanse.

“Still on the pill, Bradley,” you remind him, eyes luminous with your happiness.

Feeling a little sheepish, a little embarrassed, a little elated, he shrugs helplessly.

“Can’t hurt,” he says. Then adds, “Besides… I don’t want all my hard work to go to waste.”

Then you’re laughing together, breathless, loud laughter, the bending-at-the-waist kind. The belly-hurting kind. The kind that doesn’t come often.

And it’s good. It’s beautiful. It’s the kind of peace he’s never known before but has wanted always, always, always.

It’s so much better than anything he could have ever dreamed. Because it’s real. Because it’s true.

All his life, Bradley thinks, he’s been listening to oceans in seashells. It’s good, fun even, for a while, but it’s no replacement for the real thing. It’s no comparison to standing at the shore of the Pacific Ocean, watching waves crest and crash and throw themselves against the beach again and again, like a devotion that never ends. How big and beautiful and terrible the truth of it is.

And he’d thought the whole world was in that seashell.

Once the laughter has died down, once you’ve fallen back into the kind of comfortable silence that can exist only between people that really, truly love each other, Bradley strokes his thumb against your cheekbone, watches your eyes flutter closed.

“I love you,” he says, “more than I thought I could love someone. Thanks for loving me back.”

It’s bumbling, and it’s inadequate, and it doesn’t convey half of what it should.

But you smile at him, eyes opening, face so tender his heart stutters, and you whisper, “It’s an honor, Lieutenant Bradshaw.”

For the first time, Bradley doesn’t think about dying, doesn’t think about leaving. He thinks about living. He thinks about staying.