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Keith Haring photographed by Tseng Kwong Chi in the New York City subway, circa 1983-84.
Rage. In my heart. All-consuming. FUCK AI.
Keith Haring, Untitled for Lick Fat Boys, August 1979.
Andrew Blackley, Johanna Burton and Scott Treleaven discuss Haring, feminism, activism, early work, etc. for Bomb. "This conversation between Andrew Blackley, Johanna Burton, and Scott Treleaven is the third and final component of Keith Haring: Languages. It supplements an exhibition at the Fales Library and Special Collections (NYU) of 130 never-before-exhibited, understudied artworks and documents held by the Keith Haring Foundation. A conference featuring nine speakers coincided with the exhibition's opening, bringing together figures from across academic and professional disciplines in order to publicly address the lineages available in these text-based materials as adjacent and precedent to the more well-known visual art of Haring’s later career. The text below threads together the major themes from Keith Haring: Languages—historicity, methodology, and the readership of artists’ writings and papers as substantive material and theoretical categories."
http://bombmagazine.org/article/1000216/keith-haring-languages
Shepard Fairey (American, b. 1970), Keith Haring, 2010. Color screenprint on paper, 60.4 x 45.5 cm. Numbered 348/450.