My Muse And I

Itsmelmitch 🤣🤣

#Repost @itsmelmitch

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Tell Dumbledore to stop calling my phone! 😂 I’m not teaching that class NO MO’!

#hogwarts #harrypotter #hamu #hogwartslegacy #hogwartsHBCU #ravenclaw #slytherin #darkarts

Look I clown veganism often enough but really, truly, don’t ever fucking feed somebody something without their knowledge or consent. It’s hugely fucked up and not OK.

Master doc that contains different resources and support for many countries including Palestine, Congo, Haiti, Hawai’i, etc ((op is underneath the link))

Google Docs

Master Document

Master Document

DO NOT SUPPORT SALVATION ARMY 

Abled people have seriously skewed the meaning of “recovery” and i am Not About That. 

Whenever I hear the word mentioned (both on this site and in real life), the conversational subtext is usually “when will you/they recover enough to meet the standards of abled society?” As if I, a nuerodivergent person living with chronic pain will one day get up and fit seamlessly into a society not made to accommodate me. (Or as if I have any interest in doing so, which,, HAH. Nope!) I’m basically resigned to hearing this from abled people by now, but I’ve noticed fellow spoonies getting frustrated about not being able to do stuff that Abled Society says they should and falling into the pit of “when I’m recovered I’ll meet those standards”. That is not okay!!

For one, chronically ill and disabled people’s lives fit a different pattern than abled people. There is no magical point where all our symptoms vanish and we return to mainstream society — the hint is in the keyword “chronic”. It means that our condition or illness is a) going to stick around for a long, indeterminable length of time, possible lifelong, or b) recurs frequently or consistently. For example, my autism will never go away and I am completely fine with that, but fluctuating circumstances may mean that I manage the traits better at some times than others. My RLS will never go away either, but unlike autism it isn’t constant — I can have weeks, even months, with no symptoms and then suffer for the next six months straight. If I say that I’m recovering, what I mean is “I just had a symptomatic flare-up that knocked me off my feet but I’m managing the fallout better and getting back to my version of normal” NOT “i am now Fully Functioning and able to do bed-linen laundry without pain and suddenly capable of stuff i couldn’t do before.”

Secondly, recovery is a personal experience that nobody else can define. I’ve said it already but boy is it worth reiterating: recovery for chronically ill/disabled folks means getting back to OUR individual version of normal, not ANYONE ELSE’S version of normal. This definition is particularly important when talking about anyone who used to be (more) abled because in those cases, recovery can mean finding a NEW version of normal. 

If someone is in remission for a disease — let’s say cancer, since that’s a Big Thing — they could end up symptom-free, but that doesn’t necessarily mean they’ve recovered. Cancer (both the illness and the treatment of it) puts a huge about of trauma on both the body AND the mind, and they may need to adjust their lifestyle because of that. Expecting your life to go back to 100% normal after an illness/accident is harmful to your mental and physical health and I am SICK of abled society encouraging it. 

Recovery means understanding what your body and mind needs and learning how to provide it so you can live comfortably/manage your symptoms; NOT so that abled people approve of how you live your life! Just remember that 

not to be insane but in a realistic tomarry/harrymort fic with good characterization it’s very difficult for them to not change one another.

a good fic acknowledges that harry only survives their canon interactions (and overall, his many different in-story challenges) from being tricky and clever. like it or not, harry is much weaker in magic, strength, mind, and political influence than voldemort.

so when he’s getting out of the third task, he doesn’t win, he cheats. when he’s getting out of malfoy manor, he doesn’t win, he calls dobby and gets out though a minor oversight. he doesn’t defeat umbridge in a dual, he instead helps run a covert defense club and repeatedly goes under her nose to do what he wants!! he doesn’t save sirius in book 3 because he fought peter and won, he used a time turner (albeit with help), broke ministry rules without anyone else knowing (bar hermione and dumbledore) and saved him.

that’s so slytherin!!!

it is my belief that Voldemort thus inadvertently pushes Harry to be more cunning. Harry is at his most slytherin during his daring but clever escapes from Voldemort and the indirect issues caused by Voldemort.

though it has less text evidence, i would also go so far to throw out that because of how pissed off Harry makes voldemort, it’s the same in reverse. Harry pushes Voldemort to be more reckless and daring in his effort to capture/kill him, as if a gryffindor.

i guess there’s a lot of poetry there. the more polarized they get from one another, the more alike they become. as they clash, they transform themselves into the other.

idk

another gravity falls animation! :3 hope yall enjoy!

Finally finished the set! This took a crazy long time to complete, but I’m happy with the result

chapter 20 of htn is short but has so much weight to it. the entirety of the chapter is this: the whole family watches and cleans up and does nothing else while harrow gets violated over and over again by her eldest brother, at the behest of her father.

the chapter begins with gideon penetrating harrow's pelvis, then god makes her whole again, yet claims powerlessness.

he calls her to his rooms and insists she consume things she does not like and does not want, and she does it, because she has nowhere else to go, no one else to turn to, and no other form of protection.

the chapter ends with harrow seeking physical solace from the body: a woman, her silent caretaker, john's original victim,

and then it is revealed to us that the poem john recites to harrow is the poe verse at heart of humbert humbert's (of nabakov's lolita) backstory.

i really love the way tamsyn muir navigates incest and sexual violence here. it is inarguable that harrow the ninth is a family drama; john is a patriarch in every sense of the word: a divine patriarch, a scholarly father-figure, and a literal father; harrow's narration posits him as fatherly, ianthe's dialogue refers to him as such, the other lyctors half-jokingly call him daddy; the lyctors dutifully call each other brother and sister. they are god's children, in that he made them, literally or hegemonically, and as both lyctors and theocratic royalty, they interpret god's will. they have a religious compulsion to follow john's orders and to not question him. the lyctor's familial titles call to christian ecclesiastical titles of sister, brother, and father. john uses his self-appointed divine right and the historical hierarchy of the catholic church to perpetuate systematic violence and allegorical rape against harrowhark. john lived out a jesus narrative, coopted historical european aesthetics, political structures, and religion, recreated the catholic church with necromancy as religious praxis, and is now cycling through the historic legacy of that very system—and in this chapter, and harrow the ninth as a whole, the macro becomes the micro. this family dynamic is just a minute example of what is happening empire-wide.

on a non-religious note: i recently read the incest diary by anonymous, and this chapter reminded me of a few sections of that book where the author details moments where she brings up her incestuous abuse from her father to her family: her mother ignores her, just as she has ignored this fact for the author's entire life; her brother refuses to believe her and threatens to kill himself; her close family friend instructs her to never bring it up again, claiming that it happens to all women and that the author should get over it. mercymorn's callous caretaking of harrow in the previous chapter after gideon's first attack on her reminds me of this, as well as ianthe's mean-spirited snickering. the women in harrow's life reluctantly take care of her in the aftermath (if the family friend is to be believed, this happens to all women; it is entirely believable to me that both mercy and ianthe have been victims of sexual violence as well), and john heals her only to then put her in situations where she cannot say no to him. throughout the book, he steadily defiles her boundaries and backs her into emotional corners where she must confess to him, all the while using the threat of constant violence to keep her weak and scared. the physical is just a small part of the incestuous abuse happening in htn—so much of it is psychological, and it's psychological coming from the entire family. harrow's brother and sisters keep her from completely perishing under the weight of these attacks, but only just. and in doing this, they only enable john's abuse.

For Atlantis, Disney needed a new language for the Atlantean people. To do this, Disney hired Mark Okrand, the man who also created the famous Klingon and Vulcan for the Star Trek series. In the Atlantean language, Mark Okrand’s main source for it’s roots and stems of its words are Proto-Indo-European,but as Okrand also described it as being the “tower of babel” or “root dialect” for all languages in the world, he also used ancient Chinese, Latin, Greek, Biblical Hebrew, along with many other ancient languages or their reconstructions. As such, you can actually learn to write and speak the language!