I’m So Appreciative To Suzanne For Reframing The Rebellion From The Original Trilogy As A “they Saw

little cove

You may have heard about "dos-à-dos" (back to back) book bindings that make one book turn into two, but this is mind blowing!

A 16th-century book that contains no fewer than six different books in a single binding. They are all devotional texts printed in Germany during the 1550s and 1570s (including Martin Luther, Der kleine Catechismus) and each one is closed with its own tiny clasp.

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This is such exquisite craftsmanship. Even not considering the clasps and folds, it’s just so breathtaking. You can view it in more detail on the National Library of Sweden’s Flicker stream.

What's the process if you're a superhero and you come out as trans

Do you tell your villains?

Do you keep it a secret so no one can connect Spider-Man with your secret identity for a while? Or do you pop a pronouns pin on your costume and the next time you web up Doctor Octopus and he goes "I'LL GET YOU NEXT TIME SPIDER-MAN" you go "Spider-Girl actually! I've been figuring out some shit"

A little sketch of Jon which I made while listening to MAG 52

THE SHAPE OF WATER (2017) dir. Guillermo del Toro

Something that I think is important about Wyatt as a character is how he highlights the stupidity of the district system. I know that the human love of sorting ourselves into categories meant that every YA series for a while had a bunch of different groups with associated traits that tweens could take uquizzes about, but The Hunger Games isn't like Divergent or Harry Potter where young adults get grouped based on their personalities. Sure, the districts all have industries they're known for and the tributes are clearly shaped by wherever they grew up, but being born into District Four doesn't actually mean that you'll like fish. Wyatt is brilliant when it comes to numbers, but in District Twelve he can only channel that into gambling. Imagine if he'd been born into District Three with a father like Beetee, what he could have done with his mathematical talents. There's mention of it with Maysilee too, how she doesn't want to run the candy store but her options are that or the mines.

I guess what I'm saying is that the district system is great for keeping people oppressed because they see their fellows as "other," which is why it is a tool of fascism and not a practical way to run a society. It doesn't matter who is in what group, it matters that they internalize their group identity to the point that they ignore the similarities between them.

Back again to expert cursed book hunting duo, Gerry and Mike, cause I just enjoy having an excuse to get the avatar and avatar-adjacent characters to interact. ✨ Also experimenting with short hair Jon, I realized I've never actually drew him like that.

despair

There’s a regular at the fabric superstore. She’s at least 80 years old, and she just got back into sewing after giving it up for 40 years. We’ll call her Irma.

I love Irma.

Irma is constantly surprised by the newfangled sewing gadgets our store sells. Today she bought some extra-fine glass-head pins and a magnetic pincushion. As I’m ringing her purchases up, she tells me very seriously, “did you know, if you’re careful, you can sew RIGHT OVER those pins? You don’t need to take them out!”

I told her that I liked that you can’t accidentally melt the head of the glass pins with your iron, and she nodded. “They used to all be like that, but times changed.”

I love old sewing machines and asked what kind of machine she has, and she goes, “Oh, it’s an old Singer Featherweight that my husband bought me when we were first married. It’s probably not worth anything anymore, but the thing sews fine. Have you seen the ones those girls over there–” indicating the sewing machine sub-store in my location “–have? Those things go in every direction and the needle always comes to the top when you stop sewing! Imagine how handy that is!”

I mention that I used to sew on my grandmother’s Featherweight but now there’s a intra-family war about who owns Grandma’s Featherweight and so no one gets to use it. It’s genuinely the best portable straight-stitch machine I’ve ever used.

I warn her to never let anyone tell her that Featherweight isn’t worth something. “I know, I miss my husband and it’s always going to have a place in my heart, just like your grandma’s.”

“I mean, Irma, there’s that, but they’re also worth a really notable amount of money. The Singer Featherweight is really financially valuable. I almost never see them for sale around here for less than about $400, and that’s in bad condition.”

“It’s a good thing my husband’s dead, honey, because if you told him that he managed to buy a sewing machine that’s worth more in 2021 than he bought it for in 1950, well, he’d be so smug that I just wouldn’t be able to tolerate driving home with him.”