Statistical Improbability ♡ DonBot X Reader 《 Part 2 》

I really enjoy looking at Donatello's characterisation - especially the 2012 version of Donnie.

I don't know why, but something specifically about the 2012 iteration of our favourite brothers draws me to them. Maybe it's because I think they have the most interesting and unhealthy brother dynamic to explore out of any version of the Turtles. But just to say right off the bat, I don't agree with the statement that Raphael is abusive toward Mikey in this version. I don't think this to be true at all.

But in the 2012 version of Donnie, I think it's the obsessional aspect of his character that I find interesting. People flame him hard for it - which is very valid - the way he treated April was very creepy, and some of the things he did April had no knowledge of, (Like Donnie taking a photo of her and having it as his laptop wallpaper). But I like doing a little more when it comes to characters' less-than-ideal traits. Yeah, what they're doing is bad, creepy, etc. But why exactly might they be acting that way?

For Donnie, I think his problem is how he looks.

In the 2012 iteration, we never really see the turtles have a strong desire to be human. Mikey sometimes doesn't understand that humans will be scared of him, but he never lashes out and has a big moment like, 'I want to be a human so I can make more friends!' We see Mikey wonder what he'd look like as a human in an episode after Donnie creates retromutagen - with Mikey assuming if he used retromutagen on himself he'd turn human and not back into a regular turtle.

It is played as a joke, though, and he doesn't seem genuinely upset by the fact he's stuck as a turtle, as he is seen smiling after saying he wondered what he'd look like.

Interestingly enough, Donnie is the one to be portrayed as having a negative view attached to being a mutant more than any of his brothers.

Outside of being a mutant, it is implied that Donnie already has a fragile self-image anyway.

Remember the episode Turtle Temper? I think it's the third episode of the first season. But at one point, the other turtles are instructed to shoot arrows at Raph, while Raph has to try and avoid the arrows. Splinter makes it clear, however, that Mikey, Leo, and Donnie are allowed to insult Raphael during the exercise.

I've seen another content creator say that the insults they throw at Raphael could be more them self-projecting views they have on themselves rather than them actually thinking these things about their brother. Leo says, 'And you're always whining, poor me, nobody understands me.'

While this is easily applicable to Raph as an insult from Leo - Leo does have his own fair share of moments where he has gone to Splinter complaining that the others aren't listenting to him or respecting him, that they don't understand the burden he has to hold as leader.

Mikey tells Raph he moves like a bloated buffalo - which, although never hinted at in the show, could imply that maybe Mikey is insecure about how much he eats. Maybe his brothers have made comments about his greediness.

Donnie says, 'Oh! You can't keep your back straight during Omote kote Gyaku! And you're ugly!'

I think the first part is interesting as Donnie is the tallest out of his brothers - gangly limbs could mean Donnie has more difficulty knowing how to stand, where to place his limbs, etc. Donnie most likely is sat over a desk all day, and again, being tall, Donnie has more of a slouched posture out of his brothers. I think it was Karai that also insults Donnie in an episode by calling him scrawny, in which he responds, 'And I'm not scrawny! I'm svelte!' Svelte meaning slender and elegant.

Raph has also insulted Donnie's looks before in an episode, and again, it is unclear if this is a common occurrence, but knowing 2012 Raph's character, it's probably happened on more than one occasion.

Donnie : And why do you keep grabbing me by the face? What is wrong with my face?!

Raph: Do you want me to list the reasons alphabetically or in descending order of grossness?

So regardless of being mutated or not, it seems Donnie just has a generalised lack of confidence and some issues surrounding how tall he is.

But to his issues regarding being mutated.

Donnie might've previously not had any issues with being a mutant. Before, it might've been just a general lack of confidence, as I have already said. But in society, looks are always seen as a good trait to possess if you want to have any shot at a love life. You need to fit into the beauty standards and be attractive if you want a partner.

Before April, his brothers would've been the only thing to compare himself to. He lived in a home with only mutants for fifteen years of his life - so had normal teenager issues of going through puberty and insecurities. A lot of people can feel odd/uncomfortable and dislike their growth spurts, which is why Donnie's issues at first might seem like normal things for a teenager to worry about. Donnie's biggest issue would've been how scrawny and lanky he saw himself.

But when they meet April, there is a glaring difference.

Suddenly, there is somebody in his life who isn't a mutant like him. It becomes abundantly clear to Donnie that from somebody else's standpoint, their biggest issue with him wouldn't be his tooth gap or his height, but just the plain fact that he's so different. Inhuman. Out of the ordinary. A mutant.

When he's rambling to Timothy (Mutagen Man at this point) about why April might be on a date with some punk kid (Casey) the conclusion he resorts to is, 'Because he's human, that's why.'

At the end of the episode A Foot Too Big, when Donnie apologises to April, he says, 'I'm just... a mutant.' Again, this shows Donnie jumps to the conclusion that this is why April doesn't want to be with him, not his overbearing nature or the fact that she just genuinely might not be interested. The problem in Donnie's mind is that he's mutated.

The fact that Donnie used the word 'just' implies that being a mutant is all that Donnie has boiled himself down to. He thinks that his other traits aren't worthwhile or good - like him being funny, smart, inventive - because he thinks that nobody would pay attention to him. At the end of the day, he thinks nobody will be able to see him outside of being a monster.

In Fungus Humungous, the hallucination of April that Donnie experiences calls him an 'ugly mutant freak'. It is unlikely April actually thinks this of Donnie, but it's what Donnie thinks she does because it's his biggest fear. I'd like to split Donnie's hallucination into two parts. April insulting Donnie about being a mutant, and Donnie's hallucination of April kissing Casey.

We see April kissing Casey. I think the fact that this part of the hallucination comes second is meant to represent that this fear of rejection and not being able to find love is two sides of the same coin. His fear of April choosing Casey is a by-product of his main insecurity. We are shown April calling Donnie an 'ugly mutant freak' first. Donnie isn't afraid of rejection in itself.

In the first half of the hallucination, it shows that April uses a sharp tongue like a whip.

This tongue is shown to go through Donnie's heart and subsequently breaks it.

"To have a sharp tongue" means to be quick to criticize, speak harshly, or make cutting remarks; essentially, someone who is often unkind or sarcastic with their words.

I think this represents that, over anything, it is April's words that break his heart more than her actions. It is her disgust at him being a mutant that shatters him. It's what makes him crack in the episode. He starts screaming, runs away, and shouts that he, 'doesn't want to hear anymore.' This is Donnie's breaking point. Her sharp tongue and words, over her actions like kissing Casey, that is Donnie's true biggest fear.

Donnie doesn't want to be with April purely because he loves her. To Donnie, it would be more than April simply making a choice on who to partner up with. It would be confirmation for Donnie that the issue all along was because he's a mutant.

The point I'm trying to make is that Donnie is obsessed with trying to improve his own self-image than actually liking April.

He wants to use April as a means to prove someone could love him despite appearances because, as I said earlier, looks are important to a lot of people. Gaining a romantic partner would most likely grant Donnie the confidence, the consolidation that he 'isn't ugly after all' because he managed to gain a partner. That is why he so desperately chases after April.

He chases after the feeling of confidence.

His character kills me.

Caffeinated Masterlist

Started: February 26th, 2025

Last Updated: May 1st, 2025

Requests: Open

Important Reminders

I'm an adult, there might will be 18+ stuff here

There will be darker themes explored in these fanfics, not just possibly smut, but whumps, torture, Major Character deaths, etc, stuff is always tagged so read at your own risk

Characters are aged up to 18+ unless specified

As of now I only write for the 2012 version of the turtles

I take requests, but I don't promise to finish all of them, eventually I will make a rules post but as of now just don't ask for anything non-consensual between a reader and the turtles, T-Cest or Poly, everything else is good to go

I mainly write for the guys but I am not against writing for other characters either like the Shredder's henchmen, Bishop, Karai, Irma, Casey and April!

All

Coming soon...

Leonardo

Coming Soon...

Raphael

Coming Soon...

Donatello

MultiChapter Fics

Statistical Improbability - Donbot x Reader

Part 1 | Part 2

The Secrets we inherit - Donatello x Stockman's Niece!Reader

Part 1 | Part 2

Michelangelo

Coming Soon...

Donnie would be a fool to think his older Sister wouldn't be as much of a threat as his brothers- LMAO

I was originally gonna do something different, since my goal was to draw some sibling dynamics with Karai, but then this idea popped in my head and it made me laugh- I was gonna include Raph laughing hysterically in the background and even making a comment about how any of them (siblings wise) could ask April out better than Donnie could, but I didn't have enough time since I promised to start up Shredder's Revenge- 😔👍✨

The Secrets We Inherit ♡ Donatello x Stockman's Niece!Reader

A/N: Soo apparently I'm incapable of writing short chapters hahah, this was originally much longer but I decided to keep the first part as a prologue or you guys would have to read through 8k words of my ramblings

This was originally supposed to be only around 5k words at most but it uh, sort of got out of hand, good news is next chapter is mostly done and it will be around 7k words

Summary: After your eccentric uncle, Baxter Stockman, vanishes without a trace, you're the only one who can investigate his sudden disappearance.

But your life takes a dramatic turn when your search leads yoi into the underbelly of the city and you stumble into a world of mutants, ninjas and crime syndicates that controls the city.

Armed with nothing but stubbornness, determination, and a few gadgets you built yourself, you find yourself tangled in a world far stranger— and much more dangerous— than anything you could have ever imagined.

Context: This story starts in Season 1, Episode 11: Mousers Attack! And goes from there.

The reader is Baxter Stockman's niece. Whenever I watched this show, I thought Baxter Stockman had so much Girl Dad™ or Girl Uncle™ energy. I mean, LOOK at him he has such dorky uncle energy, and you can't convince me he wouldn't teach his niece how to weld and create little robots—OF DOOM— while he tells her his world-domination plans.

Content Warnings: There is only a vague phantom of proofreading in between drafts, read at your own caution, mentions of blood, some minor injuries, reader is a certified nerd and a bit dorky, swearing

Word Count: Around 2k words

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You stared down at your phone, the little red dot pulsing on the screen. That was it—your uncle’s current location.

After weeks of unanswered voicemails, fruitless visits to his apartment, and even showing up at his old job only to be told he was fired after breaking the copy machine and then terrorizing his coworkers not once, byt twice— you’d had enough. If he wasn’t going to call, fine. You’d find him yourself. It wasn’t even that hard. All it took was a little signal triangulation—a trick he’d taught you himself. He’d probably be weirdly proud.

But what didn’t make sense was where the signal led: not to some dingy apartment or cheap motel, but to a run-down warehouse on the edge of the city.

You'd tried the main doors to no avail. You circled the building, looking for a different way in. No windows. No cracks. Nothing. Your gaze drifted up. Maybe the roof? If only you could reach it…

You deflated until you saw a different building with a fire escape and a garbage dumpster close by. You could reach the fire escape with it. But you'd have to jump from one building to the next.

You shifted nervously on your feet. Maybe you could make the jump, maybe.

"This is so stupid," you muttered, walking over and clambering onto the dumpster. Your hand scraped by something sticky and wet, and you gagged, wiping it off on the wall before you pulled yourself up toward the fire escape. "This better be worth it."

With a grunt, you hoisted yourself up and jumped for the fire escape. It creaked violently under your weight and dipped down with a sharp *clank.* You shrieked, clutching it tight.

"Okay… okay…" you breathed, heart thudding. Slowly, you climbed the stairs, hearing your dad’s voice in your head with every step: *This is not something you got from my side of the family.*

At the rooftop edge, you glanced between buildings. It wasn’t a massive gap—but it was enough to make your stomach drop.

"Oh boy…" You hold on and take in a deep breath. Thankfully, you wore regular sneakers today.

You paced nervously in circles, bouncing on your feet and shaking your hands.

"Okay, okay, I'm doing this. I'm really doing this."

You hyped yourself up with little jumps and then sprinted, legs pumping, and leapt—only to hit the edge hard. Pain shot through your ribs as your hands scrambled to catch the ledge. You shrieked as you dangled for a second, kicking, and with one final heave, hauled yourself up.

You flopped onto the roof with a wheeze, the cold concrete soothing your scraped palms.

"Oh, sweet mother of God," you laughed breathlessly, staring at the stars. "Uncle Baxter is so gonna hear about this when I find him."

You rolled to your knees and crawled toward the warehouse skylight. You expected to have to pry it open but instead found a neat, circular hole in the glass—like someone had already cut their way in. A wad of gum was stuck to the discarded glass near the edge.

"…Weird."

You slipped through the opening and dropped onto the catwalk inside. Voices echoed just call out for your uncle. What if they were dangerous?

You crept forward, heart pounding, and tucked yourself behind a stack of rusted crates. Carefully, you peered over the edge—and your jaw dropped.

There was your uncle, hunched over a computer, typing furiously. Looming beside him was a hulking, monstrous dog-man, all claws and snarls. An asian looking man stood at his side. The dog growled something low and threatening, gesturing sharply at your uncle to hurry up—apparently to crack some encrypted phone. Your uncle winced and nodded, typing faster.

To the right, chained against the wall, were two turtle-shaped figures. Humanoid. Green-skinned. Wearing differently colored bandanas around their eyes. Bound by heavy steel restraints. You stared in disbelief. What the hell was going on here?

I must have fallen off the building, I hit my head and now I'm in some kind of hallucinatory coma. That's got to be it. You think, it was the most logical explanation.

You pinch yourself to test the theory. The sharp pain travels up your arm and you flinch, rubbing it to ease the pain.

This is a very realistic hallucination.

"Almost done," You peer up as you hear your uncle's voice. The faint light of the computer reflecting in his glasses. "Ninety-eight, ninety-nine, yes! One hundred percent! And processing, processing... C'mon... And finished!"

You crouch lower behind the rusted crate just as glass rains from above—a shattering explosion of light and sound. You raise your head slightly in order to get a better look at whatever just crashed through the ceiling.

The two figures that drop through the ceiling land hard and fast. And they're not just anyone.

They're— More turtles?

"The turtles!" The hulking dog mutant growls, lip curling in fury.

The newcomers straighten—one clad in blue, the other in red. Twin katanas in hand as the one in blue points directly at the chaos unfolding.

"Not so fast, Dogpound! And... Dexter Spackman?" he accuses, voice sharp.

"Baxter Stockman!" the scientist shrieks in frustration.

The mutant dog— or Dogpound as the turtle had called him, doesn’t wait—he charges, massive claws swinging. But Blue is faster. He sidesteps with practiced ease and dashes for the desk. Dogpound snarls— but before he can run after blue, the turtle with the red bandana charges and lands a kick to his muzzle.

You can see Baxter run towards his desk, but before he can swipe the phone off the table, the turtle in blue slams his katana and grabs the phone.

"How did you escape my mousers?" Stockman snarls.

"We didn't." Blue replies, and as soon as he does, dozens of mechanical robots crash through the ceiling, a screech of whirring metal following suit.

The red turtle dashes forward, slashing the chains that held the other turtles. "We’re here to save the day, as usual," he smirks.

"Oh yeah, looks like you guys were doing great." Replied the one in purple with a healthy dose of sarcasm.

"You try fighting two thousand robots!" Red snaps back, pointing at the chaos unfolding behind them.

Your jaw is slightly ajar. You can't believe your own eyes and ears, and you're barely breathing. Your fingers scramble for the phone in your pocket. You clutch it tightly and hit record, trying to capture what you can from the safety of your hiding spot.

"Mikey!" Blue shouts. The orange-masked turtle looks up, and Blue tosses the phone to him in a perfect arc. "Keep away!"

Mikey bolts as the dog mutant lunges after him, tearing through crates and cables in a frenzy.

You sink deeper into the tiny corner of your hiding spot as both of them run past you at full speed. You take a deep gulp and pray to whatever gods there are that you don't get found right now.

"Wow! A gamma camera!" You hear a different voice and peak through the space between the crates to see the tallest turtle, the one with the purple bandana analyzing a small piece of tech from one of the mousers. "It detects radio isotopes. That must be what he's tagged you with."

"How do we get it off?!" The red one screams, slicing a mouser in half.

"You can't. It wears off gradually. But if someone else got sprayed, they'd give off a stronger signal."

Suddenly, a startled yelp echoes through the warehouse as the orange-masked turtle crashes down from the second floor in a tangle of limbs and momentum, hitting the ground with a painful thud. Above him, Dogpound lunges—his massive, misshapen hands raised high, jagged claws glinting under the flickering light as he prepares to bring them down like sledgehammers.

But before the blow can land, a blur of motion cuts through the chaos.

A sharp crack splits the air as the purple-masked turtle vaults in from the side, his bo staff whipping through the space between them with precise, practiced force. The impact slams into Dogpound’s side, knocking him off balance and forcing him to stagger back with a furious snarl. The orange turtle blinks up in wide-eyed relief just as his friend plants himself protectively in front of him, staff raised and ready.

"We've got to get Stockman's spray. It controls the mousers!"

"You mean that thing?" Orange asks, pointing at your uncle holding some kind of spray.

"I'll handle this, dog-man! One spritz and they'll be mouser chow!" Your uncle is ready to spritz the turtles with the sttange looking spray, and your stomach drops. What is he going to do? But before you can even process it, the red turtle comes from nowhere, throwing two precise ninja stars at the spray, which explodes on top of your uncle and the mutant.

Without warning, the mousers halt mid-lunge—just as they’re about to shred the shell-backed brothers to pieces. Their glowing eyes flicker, their heads twitching in eerie unison. Then, like a switch flipped, they swivel toward Dogpound and Stockman.

The warehouse erupts into fresh chaos.

With metallic snarls and snapping jaws, the robotic swarm descends on Dogpound, clamping down on his tail and clawed legs. He howls in rage and pain, swatting them away as sparks fly. In the confusion, your uncle bolts—arms flailing, coat streaming behind him—only to promptly trip over one of his own creations and faceplant hard into the concrete.

You facepalm slowly and drag your fingers across your face at the scene.

Dogpound snarls and yanks him upright, holding him with a clawed hand. Just as the brute starts to drag him off, a sharp ring cuts through the chaos.

Ring. Ring.

Dogpound sees the phone on the ground, lost in the chaos. He smiles as he picks it up in between his claws, but his win is short lived.

Thunk! A precisely aimed blade whistles through the air, embedding itself dead-center in the phone. Sparks sputter as the device falls in pieces.

"Hang it up, Dogpound," the turtle in purple calls. "Your call just got dropped!"

Dogpound growls, baring teeth like cracked concrete. Without another word, he barrels forward—and straight through the literal wall—leaving a man-shaped hole in the warehouse as he drags your uncle out into the night, mousers nipping at their heels.

"Nice job, guys!" The blue-masked turtle cheers as the mutant and your uncle run away.

"Yeah!" Red whoops, throwing his arms around his two friends with an exaggerated grin."From here on out, you're the A- team!"

"That’s probably the best we're gonna get out of 'em."

Silence finally settles over the warehouse, the last echoes of battle fading. You hold your breath. Count to ten. Then, slowly, cautiously, you peek out from your hiding spot.

Silence finally settles over the warehouse, the last echoes of battle fading. You hold your breath. Count to ten. Then, slowly, cautiously, you peek out from your hiding spot.

Nothing. Just a wrecked warehouse and your thudding heartbeat.

You try to take the stairs down—but your legs betray you halfway. You tumble with a grunt, landing hard. The impact sends a jolt of pain through your body, and when your hand touches your forehead, it comes away wet. You lay your head on the dirty floor and breathe in deeply, remembering the way your uncle tripped over his own feet just moments before.

"Runs in the family, I guess..." You mutter, dragging yourself upright with a wince. Every step toward your uncle’s desk is a limp, your sprained ankle screaming with each movement.

You reach the desk and stop. Really look around.

The scorched floor. Shattered windows. Broken robots twitching in piles. Gouges in the walls. Your uncle’s half-melted laptop still glowing faintly. Somewhere, a mouser drags itself in a slow circle, one leg sparking.

You limp closer to one of the walls and see a ninja star buried in a metal beam. Cautiously, you grab it and pull it from the beam, looking at the small indent it leaves behind. Your mouth hangs open slightly.

"What the fuck?"

Rise of the Teenage Mutant Ninja Turtles: Family Systems Analysis A college Essay by The-TMNT-Ficfinder

Word count: 5273 | Page Count: 18 pages (Not counting ref or cover)

The Teenage Mutant Ninja Turtles: A summary

The main family group of the show, Rise of the Teenage Mutant Ninja Turtles is made up of six different characters, with a seventh one introduced as the story progresses. Starting off, is the father figure, Hamato Yoshi (Also known as Lou Jitsu) or popularly known as Splinter. Originally human, he was mutated into a rat at the same time as when the turtles were mutated, then adopted them as his children.

Following that are the four turtles. Raphael, the biggest brother, muscle man, and leader of the group. He is an Alligator snapping turtle, wears red as his signature color, and has been decided as the oldest (as they don’t know their exact age). Second, is Donatello, the tech guy of the family. He is a softshell turtle and wears purple. Next is Leonardo, who classifies himself as the ‘face-man’ of the group (and later on in the series replaces Raph as leader). He is a red-eared slider, and is the best known, as the blue turtle, the most popular ninja turtle in the series. Leo and Donnie have been decided to be the same age by the fandom and are referred to as ‘twins’. Then Michealangelo, the youngest turtle of the group, and an ornate box shell turtle. Michelangelo wears orange as his color, and is known as the family chef, emotions guy, and boldest of them all. Their adopted human sister, April, is the oldest of the siblings and gets into many shenanigans with them. Lastly, is Baron Draxum, who is the villain who created the serum also known as mutagen that mutated Splinter and the turtles in the first place. Originally, he is a villain who is bent on destroying humanity, but later gets a redemption arc, and is welcomed into the family. The show features two seasons, and one movie. In this essay, I’m going to be focusing on the two seasons, and the direct aftermath of that.

The family, and how they function

The family, in season one, goes on a variety of wacky adventures, learns to use their new mystic weapons, and get the hang of their mystic powers. In season one, Baron Draxum is a villain and relentlessly attacks them. In season one, the turtles also are unaware that their father, Splinter, was actually their favorite movie star Lou Jitsu in the past before he was mutated into a rat. Following the events of The Shredders temporal revival (The main bad guy) the turtles beat him a first time, and the show slides into season two. In season two, Baron Draxum gets a redemption arc where instead of fighting the turtles, he reluctantly joins their family, and builds connections with them (and becomes a ‘secondary parent’ to the turtles, as he is the one who mutated them in the first place) The boys discover that their father was Lou Jitsu, and uncover important backstory and lore, leading to them having to fight The Shredder a second time, due to Big Mama, accidentally letting him loose from her Battle Nexus (the same battle nexus Lou Jitsu was kept prisoner in after his actor years, and before he got mutated). In order to defeat the Shredder a second time, they had to connect spiritually with all of the ancestors of the Hamato clan to master their mystic abilities. By the end of season two, despite being victorious in defeating The Shredder, they ended up losing their home in the process, and the life of their long lost many times great grandmother, Hamato Karai. From there, they build their life back up from shambles, which spans the time after season two, until the movie.

Raphael

Raphael, or Raph, is the biggest brother, “the brother who is the biggest,” (Rise of the TMNT, Nickelodeon 2018) the decided oldest, and the self-proclaimed leader of the group. Raph act’s part-time as the oldest brother, with the other half of the time, adopting a very parental role for the sake of his younger siblings. Raph is very harsh on himself, entirely believing that the family is his responsibility when it comes to leadership and keeping them safe. In season one, he is much more fun-loving, and playful with his family. However, as the seasons go on, and the turtles get themselves into dangerous situations, Raph gets stricter and begins to worry. Along with that, Raph has the natural tendency to try and parent his siblings, (due to being parentified by his father) meaning he doesn’t always have the best relationships with them.

Raph’s relationships with his family holds interesting dynamics, as he operates as part time sibling, part time leader, and a part time parent. When it comes to Donnie, Raph values and understands his physical and technological skills, yet hesitates when it comes to his emotional maturity, consistently choosing to skirt around a problem rather than say what’s on his mind to avoid hurting Donnie’s feelings. They work wonderfully together when it comes to combat yet struggle with communication and feedback.

Raph and Leo’s relationship is somewhat strained, as they don’t quite see eye to eye when it comes to making plans. Leo’s perspective is more on the strategic and morally grey side, which is hard for Raph to grasp, as he relies on a much more black-and-white viewpoint. Raph and Leo end up not interacting very frequently, as many of their interactions end with arguing. This is partially due to Raph’s parentification, and Leo’s rebellion against parental figures in general.

Raph and Mikey, despite have a very drastic size difference with Raph being the biggest of the family by quite a bit, and Mikey being smallest (aside from Splinter), have somewhat opposite temperaments when it comes to interacting with people. Raph constantly switches between relying heavily on Mikey to do the breaking of bad news for him, (because he doesn’t want to hurt anyone’s feelings) and feeling overprotective of his youngest baby brother. Raph will specifically ask for Mikey’s help when it comes to breaking bad news, as he knows Mikey will do it regardless of people’s feelings, taking that burden off his shoulders. Meanwhile, he is very fearful of the idea of Mikey going and doing anything alone, as he is the smallest. He overly relies on him when it comes to vocal situations, while not giving him any room to breathe in physical settings. Almost opposite of how he interacts with Donnie.

With April, who is older than him, come’s a change of pace. As April is an adopted sister (she still has her own family and just comes over to visit) Raph often tries to pull the ‘parent card’ on her, since in his mind, she’s family.  April being older, and an only child, never lets that slide, refusing to let Raph parent her. Often when April is around, Raph relaxes, and tends to have more fun, as April fills some of the parenting shoes, and helps keep an eye on the other younger brothers.

Then there’s Splinter, their father. Raph looks up to him greatly and is always wanting to impress him, despite Splinter not playing a very active role in their lives until their later teen years. He also doesn’t want to worry him as he knows his father has been through a lot. As such he keeps all his struggles, and the family struggles to himself. His relationship with Splinter is fairly stable, sitting at a deemed comfortable level of lacking support, yet still being happy to interact at times. Their relationship stayed like this until the end events of season 2, where Splinter takes leadership away from Raph, and gives it to Leo. This is also where Leo’s and Raph’s rocky relationship goes from chilling and joking together, to constant fighting.

Lastly, Baron Draxum. As Raph has a very ‘forgive then forget’ mentality (meaning he intentionally chose to forget a lot of what they went through when the Baron used to attack them) he is rather impartial to Draxum. He neither cares for him, nor does he dislike him. He’s very neutral on the subject of Draxum and mainly interacts with him since Mikey insists on it. Raph doesn’t see Draxum as a parental figure at all, as Raph thinks himself the parental figure.

Donatello

Donatello, or Donnie, is the tech guy of the family, the middle child (shared with Leo) and is said by the show’s creators, to have autism. Donnie has a huge love for fixing and improving things, even his family, and an urge to control everything and anything he can. Donnie has deemed himself the ‘tech guy’ of the family and made that his ‘definitive quality/trait’ or reasoning to be useful to the family. As such, he helped build the lair they live in and all the tech inside. He has what he likes to call his ‘bad boy’ persona, where he pretends, he doesn’t care and acts ‘emotionless, and cool’. As his species is a spiny soft-shell turtle, his temperament leans much closer towards one of spitefulness, and agitation, with a very sensitive outlook on things. This has a pretty big influence on how he reacts to things.

Donnie’s relationship with Raph, is a fairly stable one. As Raph is the leader, and Donnie is the tech and maintenance guy, they understand each other. They know what it takes to keep things running. Donnie is quite willing to work with Raph at most times, as he likes being given instructions to follow. Along with that, Donnie has a very strong need for parental praise, and as Raph acts very similar to a parent at times, Donnie makes an effort to impress him, just as he would his own father.

Donnie’s relationship with Leo is a lot more strained, as he finds his ‘twin’ to be a frustrating individual. While Donnie loves to rely on a system and a support group, Leo doesn’t, which makes him harder for Donnie to understand. Donnie and Leo have a very ‘you can’t hurt my twin, only I can hurt my twin’ mentality. They will push, and fight, and argue with each other, yet the moment anything threatens one of them, they’ll both rise up to fight back. They love to fight, partially to vent frustration, and partially to bond. Similar to how animals in the wild ‘play fight’ with each other.

Out of the brothers, Donnie has the best relationship with Mikey. In Donnie’s eyes, Mikey is like a walking comfort item. Donnie and Mikey have a silent communication style, that relies a lot on body language. Mikey is also ‘on equal footing’ with Donnie, as they are both treated like younger/youngest siblings, and contribute to the family via ‘giving’ something. Donnie gives his tech services, and Mikey gives his emotional support and advice. Donnie can also trust Mikey to tell him the truth, even when it may hurt. Donnie and Mikey together have established a really good sense of trust.

Next is Donnie and April’s relationship. Out of the whole family, April has the best relationship with Donnie, as Donnie feels like he is able to give to her, and she is able to give to him. A symbiotic relationship. He helps her with homework, and she sneaks him into the school’s computer lab. Donnie is also the most honest with her, as there are no ‘standards’ he feels the need to uphold. He tells her his feelings and explains the reasoning behind them. Donnie can do this with April, and not the others, because both Leo and Raph aren’t as emotionally mature, and Mikey has studied psychology, and is always attempting to help Donnie ‘fix’ his emotional issues. April is the only one who listens for the sake of listening.

Splinter and Donnie’s relationship is pretty rough, as Splinter pays very little attention to him. Donnie likes to obsess over the attention he does get, just to purposefully be sour about it. Donnie keeps a calendar dedicated to keeping track of each time he and Splinter interact, and more than once uses it as a weapon against his father, using it as proof that they don’t spend enough time together. Along with that, Donnie highly craves parental praise, making him easily manipulated into doing almost anything. Hence the lair having the finest technology. He builds to be noticed and creates to earn praise.

Lastly is Baron Draxum, who Donnie secretly admires, not as a parent, but as a potential lab partner. As Donnie is a scientist, just as Draxum is, Donnie is immediately captivated by the Barons abundance of knowledge and is willing to ignore Draxum’s past wrongdoings to work with him. Draxum, recognizing Donnie’s parentlal issues, will toss him praise, which Donnie jumps at even against his own father’s wishes, as Splinter rarely offers the praise and learn what he has to offer. Draxum uses Donnie’s need for approval against him, and Donnie has had enough backlash in his life, that he’s fine going along with it.

Leonardo

Leonardo, or Leo, is the self-proclaimed face man of the group, the strategist, and ‘local comedy guy’. Leo tries to emotionally be everywhere and nowhere all at once, people pleasing to get his way. Leo very much idolizes his favorite movie actors, and rather than turn to his father or siblings for advice, he turns to the logic he learned from comics, and cartoons. Leo picks and chooses who to get along with in the moment, depending on who will get him the most out of a situation. Along with that, he has a savior complex and consistently cuts his way into any and all of his brother’s various plans to ‘bail’ them out and then feel smug about it. As Leo is a red-eared slider, a turtle originating from Mexico, Leo takes a great deal of interest in Mexican culture and consistently speaks Spanish throughout the series. This is good and bad, as it does get him involved in some scandals later on.

Leo’s relationship with Raph swings back and forth from being thick as thieves, to arguing nonstop. Rather than craving parental attention like the bulk of his brothers, Leo chooses to reject it, which connects to how he treats Raph. If Raph acts like his brother, Leo will easily play along and follow his ideas. Yet the moment Raph steps up, and goes into leader/parent role, Leo takes on an attitude of rebellion and follows his own plans. Raph and Leo throughout the series have their good and bad moments, till the end of season two when Leo is given the title of leader by Splinter. This causes both Leo and Raph to excessively butt heads. Especially, as before since Raph held the position of leader, Leo felt no need to compete with him, as he and Raph weren’t on equal footing. But the moment Leo became leader, Raph became his equal, leading to him fighting with him constantly, just as he used to fight with Donnie.

Leo and Donnie have a very competitive relationship. Leo constantly feels the need to be the superior one, or the ‘champion’ of the team, (which of course is his own way of coping with a lack of parental praise) and will try and one-up Donnie. Depending on the situation, Leo either encourages Donnie, or tears him down. Whatever gets him the most praise in the moment. For example, when out with his brothers having fun, he’s more likely to have a positive relationship with Donnie, as they are simply existing. Yet when Splinter is in the room, Leo tears down his ‘twin’, with the hope that he’ll appear better than him. This dynamic changes again, depending on whether said company is friend or foe. Leo will tear down Donnie while in the presence of family and friends, as its beneficial to him. Yet when around enemies, Leo practically sings Donnie’s praise, claiming to have the smartest brother. This is because he loses nothing by claiming that Donnie is a great guy, and gains everything instead. Leo knows that Donnie feeds off praise and will use this to his advantage to get himself bailed out of bad situations.

Leo and Mikey’s relationship is opposite compare to Leo and Donnie. Mikey is competitive towards Leo, like how Leo is competitive with Donnie. Except Leo doesn’t ever compete with Mikey, as in his eyes, there’s no reason. Mikey already wins by being the youngest, and the ‘favorite’ of the family. Leo tends to push Mikey away, annoyed by his younger brother who can’t ‘gain’ him anything in the family dynamics. Out of all of his brothers, Donnie is the biggest threat to being ‘cool’ and not ‘disliked’.  Raph is leader, which puts him atop everyone, and Mikey is youngest, which makes him ‘objectively cooler’. Leo’s main issue is that he’s very insecure, and deals with it by fighting, and telling poor jokes.

When it comes to April, as she doesn’t tolerate any of that, refusing to allow Leo to act like a ‘champion’ or ‘better’ than anyone. In fact, when he pulls these stunts, she usually kicks his butt. Around April, Leo will somewhat relax, that burden of being the family ‘champion’ lifted from his shoulders.

With Splinter, Leo’s relationship is strained. Leo idolizes his favorite movie characters, tending to act like them, which puts him at odds with Splinter. As one of Leo’s favorite actors is Lou Jitsu (Splinter before he was mutated, but Leo is unaware of this) he tends to act like him. Splinter, who doesn’t like himself as a person, sees his son acting like he used to when he was younger, and immediately becomes harsh and standoffish. Leo’s and Splinter’s relationship together only becomes even more strained once they figure out Splinter and Lou Jitsu are the same person. Leo becomes very confused as the image of a distant, uncaring father overlaps with the image of his idol.

Lastly, Leo and Draxum have a horrible relationship, as back in Draxum’s evil days, he threw Leo off a roof, and Leo refuses to ever let him forget. While the other brothers somewhat jump at the opportunity to have a ‘secondary’ or ‘new’ parental figure in their lives, Leo is already resentful of parental figures, which leads him to immediately disliking the Baron Draxum. The only parent he wants to be proud of him, is his own father. And even then, Leo is resentful of that too.

Michelangelo

Mikey is the youngest of the family, and along with that, the glue that keeps them together. Overly optimistic and pessimistic all at once, Mikey is a wildcard, and the brashest one of the group. Mikey’s role in the family is to help keep the peace and identify the emotions of his siblings. When it comes to interacting with the family, Mikey has curated ‘personalities’ dedicated to situations, to get the job done. Mikey is an ornate box-shell turtle, which is a turtle species that can fully pull into its shell, which Mikey does both mentally and physically. If things become to overwhelming, he retreats into his delusional ideals, essentially putting himself into a ‘box’.

Mikey and Raph’s relationship is very back and forth. Mikey ends up acting as Raph’s emotional support more than once, whether it be yelling at someone in Raph’s stead or giving delusional advice. Mikey also kisses up to Raph to get favors from him, such as rights to the last slice of pizza, or being allowed to ride on Raph’s shell, rather than walk. Mikey understands how to get what he wants when it comes to Raph and often plays into his ‘needs to be protected’ youngest sibling role for it. The downside is he gets babied because of this, and is restricted from going out alone, or on solo missions.

Mikey and Donnie have a very dependent relationship. In Mikey’s eyes, they’re actually on the most equal footing. Donnie is the guy who fixes the physical things in the house, and Mikey fixes the mental things in the house. They’re both ‘fixers’. Mikey doesn’t feel the need to impress him, quite like he does with his other brothers. In fact, he and Donnie have a somewhat symbiotic relationship. Mikey helps Donnie with his own emotional issues, and in return, Donnie acts as Mikey’s comfort person, the person he goes to get a hug from.

Mikey’s relationship with Leo is interesting, as Mikey views him as a cooler older brother, while Leo views him as an adorable nuisance. Mikey is constantly trying to compete with Leo, not to prove that he can be better, but to prove he can be just as good as Leo is. While Leo believes he isn’t good enough, Mikey looks up to Leo, and believes he is more than enough, taking inspiration from his confidence. Along with that, as Leo is the only one in the family that doesn’t wear his emotions on his sleeve. Mikey is drawn to that, as he feels like Leo is the only brother he doesn’t have to cater to emotionally. 

While Mikey and April have a good relationship together, it doesn’t really extend past goofing around, and having fun together. Mikey doesn’t feel the need to cater to her emotional needs, as she already does that on her own, and instead uses her as the one person he can unabashedly have fun with, without worrying about anything.

Mikey’s and Splinter’s relationship is better than the other brothers, yet worse at the same time. As Mikey is the ‘feelings’ guy of the family, he often justifies Splinter’s behavior, excusing him because he understands that his father had a rough past life before he was mutated (despite not actually knowing what happened), because having to care for four baby mutants would be mentally draining to anyone. As Mikey is the youngest and had the parental role of Raph in his life, he’s not quite as resentful as the others, nor does he chase praise like they do. Though he recognizes the emotional damage they have had in their life, due to upbringing, he chooses to ignore it.

Lastly, Mikey and Baron Draxum’s relationship which leans more on the toxic side. As Mikey had given up on the idea of having a parental figure in his life, immediately latched onto Draxum when he realized he might be his ‘second chance’. Once Draxum had his redemption arc and stopped fighting against the turtles, Mikey found him and began to ‘train’ him to be the parent he never had. If he couldn’t fix his original dad, maybe he could place his faith in a new person instead. One he could personally shape due to being older and having more knowledge.

Splinter

Splinter is known by many names, due to a complicated past. His original name was Hamato Yoshi (last name first, as according to Japanese custom), which he later changed to Lou Jitsu during his rebel actor years. Then finally Splinter, when he was mutated into a rat, to escape his past once more. Splinter, as he has an inherently tragic past, has quite a few mental issues. As a child, he lost both his father and mother and had to live with his grandfather. Following that, during his teen years and into young adult years, he ran away, became Lou Jitsu, and was an actor in action movies. Then, he fell in love with a woman who was helping on set, and planned to propose to her, only to discover she was a Yokai (a mystic species that lives beneath New York in a Hidden City) in disguise, named Big Mama (see image(s) in references). Big Mama kidnapped Lou Jitsu and forced him to fight in her Battle Nexus arena for seven years. Losing hope, he then fully gave up, expecting to die, and was kidnapped by Baron Draxum to be used in experiments. It was there that his DNA was used to mutate the four turtles into mutants, and he was accidentally mutated with a rat. He escaped the lab with the four baby mutants and was out on the streets with nowhere to go, and no shelter in sight. Splinter’s story is a sad one, a story of a man who never got a break, was continually depressed, and used his children as a distraction to keep himself alive.

Splinter’s relationships with his kids are not necessarily the best, due to his own traumatic background. In the earlier years of his kids’ lives, he was much more involved, as being involved in their lives was a great way to stay distracted. Then as they all got older, specifically Raph, the responsibility shifted to him, and Splinter fell into depression. Splinter and Raph originally had a very father-child relationship, and as time went on, their bond grew distant. Splinter began to see Raph as more of the leader, rather than a son. And Raph being Raph, didn’t do anything to change it.

Next, Splinter relationship with Donnie. Splinter used to be more involved in Donnie’s life, then as Donnie got older, and more independent, Splinter began to fall away, just as he did with his other kids. Along with that, Splinter was continuously depressed, and would use external stimuli to give him dopamine, which in this case was watching TV. Donnie, being the tech guy, and desperately wanting his father’s praise, built him a well-working projector to please him, which only fueled Splinter’s depression and addiction. Though Donnie meant well, in the long run, it was harmful.

Splinter ended up gaining a dislike for Leo as Leo got older, and began to idolize Lou Jitsu, a phase of Splinter’s life that he grew to hate. Though Splinter loves his son, he hates himself, which led to him acting somewhat hateful or dismissive towards Leo. Leo in turn made no effort to build their relationship, as he saw no point in trying. In fact, Leo referred to himself as the ‘least favorite’ child, multiple times.

Out of all his sons, Splinter favors Mikey the most, as Mikey is the one who leans on him the least yet is still highly affectionate. Mikey doesn’t expect him to be a parent like the other brothers do, which already takes away a lot of pressure. Though later on, as Mikey becomes closer friends with Draxum, Splinter becomes increasingly jealous, and angry that Draxum is pulling his attention.

Out of all of the kids, April is the one who received the best parenting from Splinter. As April isn’t Splinter’s actual kid, he feels less pressure to parent her, and as such, ends up parenting her more. Splinter has narcissistic tendencies, which in this instance, show up as the willingness to parent other children, but not your own. April and Splinter have a relationship very similar to an uncle and niece.

Lastly, is Splinter and Draxum’s relationship, which is anger fueled, spiteful, and very mean. Splinter, who never forgave Draxum for mutating him, and the overall lab experimenting process, hates him, and hates that he interacts with his sons. Splinter never told his sons exactly what happened in the lab in the past, so they just see him being hateful for what they deem to be ‘no reason’, which doesn’t help his case.

The Family Dynamics

The four turtles land in the four common family categories, as found in Chapter 2 of Family Systems Theory (Anonymous. (n.d.)). Raph, the eldest of the group, falls into the hero category. “This person may be a perfectionist who appears to have managed all of the demands placed on them easily because there are many rewards that come to the member who takes on this role” (Anonymous. (n.d.). Chapter 2: Family Systems Theory. FAML 360 Readings: Family Stress and Coping). Raph takes on a very parental role in the family, and makes himself leader, not because he wanted to originally, but because he felt he had to. The big protector of the family. Donnie falls into the delinquent and/or scapegoat role. “This child may be prone to acting out, doing poorly in school, or using other strategies that are seen as negative, but may play an important role in maintaining the family’s functioning” (Anonymous. (n.d.). Chapter 2: Family Systems Theory. FAML 360 Readings: Family Stress and Coping). Donnie has his ‘bad boy’ persona that he uses to get attention and is constantly aiming towards ‘evil’ or ‘violent’ tendencies. He also manages all the lair’s money, the tech, and everything else, forcing everyone to rely on him. Leo is in the invisible child category, the child “who seeks to remain on the periphery of the family function in order to reduce family tensions by not drawing any attention, positive or negative, to themselves” (Anonymous. (n.d.). Chapter 2: Family Systems Theory. FAML 360 Readings: Family Stress and Coping). Leo only interacts when it befits him, choosing to remain invisible unless he gains something from it. And when he does interact, he acts as a people pleaser, the ‘face-man’ to be on everyone’s good side, so once again, he isn’t picked out of the group. Lastly, Mikey who is the youngest, falls into the clown category “using humor as a strategy to deflect attention to family problems” (Anonymous. (n.d.). Chapter 2: Family Systems Theory. FAML 360 Readings: Family Stress and Coping). Mikey defaults to a very ‘whimsical’ outlook, where he either chooses to have a very delusional outlook on life and people, or a very angry, harsh outlook. Mikey’s coping method relies less on the ‘telling jokes’ part of humor, and more on the ‘having a very silly’ outlook on life method.

The Hamato family had a very negative feedback loop for almost the entirety of the two seasons, where neglect was common. As the turtles grew up, Splinter felt less needed, and as such, would distance himself. The turtles, noticing how their father was distant, pulled back, and stopped asking for help. This perpetuated in a negative feedback loop, where over time, they all stopped interacting all together. During the beginning of season two, and around the last few episodes of season two, the turtles began to reach out to Splinter more frequently, and as such, he began to reach back. Though they still weren’t interacting as frequently as they used to when younger, the feedback loop began to turn to a more positive one.

Lastly, on the Olson’s Circumplex Model (Anonymous. (n.d.). Chapter 2: Family Systems Theory. FAML 360 Readings: Family Stress and Coping). We find that their family dynamics are very chaotically enmeshed. They rely very heavily on one another, keeping Raph as the designated ‘leader’ but still running off to do their own thing. They don’t exist separately and instead refer to themselves as ‘we’ more often than ‘I’.

Conclusion

The Hamato’s, (the family featured in Rise of the Teenage Mutant Ninja Turtles), is a wonderful example of how parental trauma affects children, and how neglect can become a feedback loop if left unaddressed. Due to the trauma Splinter experienced in his younger years, and how restricted he felt during his childhood and into his adulthood, he gave his sons a lot of free reign. This had its pros and cons, as they had a very freeing childhood, where they were allowed to explore and run about as they pleased, yet as they got older, they got into more and more trouble. Along with that, they learned that they didn’t need to rely on their father, as they could provide for themselves.

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Thank you for reading <3

Drawing a character that you are not attracted to in any shape or form is hard work

Warnings: I will be talking a lot about how terrible Donnie's crush on April is, and since I'm not an Apriltello shipper this will make it sound like I am shitting on Apriltello 2012 as a concept, but I'm actually just shitting on "Apriltello" as it is presented in the show.

This rant is also not really well structured, read at your own risk.

Okay so ever since I got Paramount + — because I got tired of getting viruses from indian websites when trying to pirate this goddamn show— I have watched TMNT 2012 a total of 5+ times, which means not only do I have a lot to say in general about this show but there is something that bothers me deeply, ever since the first season aired.

April O'Neil.

I know a lot of people shit on April in the show for how she treated Donatello, me included— and I stand by it, Cannon April is horrible — but honestly? Had she been a tad bit better written, there was a lot of potential for her character! There were so many good ideas, and all of them were WASTED.

So this is my character analysis of April O'Neil or, as I'm like to call it;

April O'Neil — The self insert of the teenage girl the writers had a crush on back in high school.

When I was 10 years old, I absolutely despised April because, naturally, I hated the love interest of most protagonists from the shows I watched because usually I felt they were badly written and other times were because I had a fictional crush on the protagonist, so in my child logic that meant I had to hate their love interests.

April was a prime example of that.

But as I've gotten older, I've realized a couple of things about April;

Firstly. April is written by grown ass men whose interactions with teenage girls likely doesn't extend further than that one time they got rejected by their crush in high school or telling their teenage daughter to go to her room, basing it off the way ALL female characters in the show are written.

Secondly, she is written by grown men who likely grew up having a fictional crush in previous versions of April.

This is... a recipe for disaster.

Look— April O'Neil and the way she acts in the show is written exactly the way adult men who are trying to write a teenage girl write teenage girls.

These dudes? They don't actually like or understand teenage girls. They had crushes on teenage girls, they thought they were hot, they might still think of the "what could have been" aspect if they didn't get rejected on prom night, but they do not respect teenage girls, they don't respect their thoughts, their feelings or their interests, and this not only means that April is a poorly written teenage girl as a result, but it also bleeds into the writing of other characters, mainly Donatello and Casey.

If you don't respect your teenage female character as a person, you're not going to write the teenage male characters to respect them either.

The writers clearly love April O'Neil, the concept. They try to sell you the idea that April is so cool, so cute/hot, this kind and empathetic soul, even though she barely does anything extremely cool or kind in the show??

The show is always trying to tell you what to think of April O'Neil, but the writing never earns that. In fact, it often shows the opposite.

The first time she sees the turtles? She screams AND is incredibly scared of them, which, understandable, but doesn't scream open-minded, does it?

When April finds out that Karai might have a semblance of a heart inside of her when they're fighting, instead of trying to create a connection with her and see if she can possible turn Karai to their side, she throws Karai down the subway stairs.

When she meets Dr. Falco with Donnie, and they're unknowingly discussing Dr. Rockwell with him, April keeps referring to the possible mutant experiments as MONSTROSITIES.

DONNIE IS RIGHT THERE!! She literally only stops when DONNIE had to express not once, but TWICE how uncomfortable he is. It doesn't take a rocket scientist to figure out the giant mutant turtle is probably going to be uncomfortable hearing people call other mutants like him monsters.

Also— April is never really the one that tries to be kind of empathetic to mutants. She only stops the turtles from beating the shit out of Pidgeon Pete when he mentions her father. So much for someone with psychic powers. When Mutagen Man comes after her, she calls him DONNIE'S MONSTER.

Yes, I get she was pissed off with Donnie and the turtles still, but referring to a random kid who by no means deserved his fate as a monster is so fucked up, April?? How would she feel if Casey called her dad when he got mutated the first time a monster? She totally would've been angry at anybody who said that.

Also this raises so many questions. Did no one explain to April who Timothy was?? Did Donnie not tell her?!? Timothy just spent months stuck to Donnie's lab, watching everybody with his creepy ass eyes and organs and Donnie was making a voicebox for the poor guy and the information just never, reached April? That Timothy was this sorta weird sorta awkward teenage kid who got involved with things he shouldn't and got himself mutated?

I don't buy it. I get it not being mentioned in the show, but I feel like SOMEBODY would have mentioned it in passing to April at some point.

Moving on, a lot of people say the way April acts towards Donnie is annoying or shallow, which while totally 100% at certain points, I think a lot of people in the fandom, for one reason or another are incapable of fully empathizing with Cannon April, and while I genuinely think Cannon April is a BAD PERSON for several reasons, I feel that she doesn't deserve as much hate as she gets— especially not for the way she acts towards Donnie.

I mean, put yourself in her shoes for a nanosecond.

You've lost your mother in a mysterious accident or something 10 years ago. Your father likely doesn't talk a lot about it, and while that bothers you, you're just going through your normal teenage ages, worried about your grades. Worried about boys. Worried about high school popularity.

Then everything changed when the Kraang attacked. Suddenly, you find yourself being saved by four giant humanoid mutant turtles who do martial arts, and your dad is kidnapped by aliens in android bodies that wear suits, the mutants save you, but you have no idea if you'll ever see your father again. You might have just lost BOTH of your parents.

But before you are able to even start processing that you realize that one of those turtles has a massive, big, fat, and OBVIOUS crush on you. But does he confess? No, he just acts, really, really awkward and weird about it.

He lowkey treats you like his girlfriend even though he never asked you out, he calls you pet names like "my sweet chinchilla" and "my princess". He stalks you through buildings. He opens his arms expecting hugs when you're around. He pets your hair. He offers to let you feel his fucking bicep lmao.

And this isn't even half of the weird shit he does!!

Look, any teenage girl or actual woman would think this is fucking weird in real life, okay? Like, this guy is going to kill me and keep my teeth in a box levels of creepy. If we're treating April with actual respect, this would be lowkey terrifying from her POV, he saved her life and he likes her, what if she says she doesn't like him?

Donnie is taller, stronger, and much more skilled than April in every way possible— up until she gets superpowers— even though yes, he is a hero, and yes, his brothers would likely not let him do anything bad to her, how does she know?

If you're a regular teenage girl, how do you know this guy isn't going to lose his shit when you reject him? While I don’t think Cannon April is scared of Donnie hurting her for rejecting him, I still think she feels rejecting him would put her into such an awkward position that it could possible ruin the friendship they have.

Let's be honest, April is a cute/conventionally attractive girl, she definitely would have gone through the Nice Guy™ cannon event by the show's events at least once.

When you're able to look past the obvious bad writing or April hate what actually lies beneath is a girl who is in a horribly awkward situation. April's life has been turned upside down, her father keeps getting kidnapped or horribly mutated, she finds out she's not even FULLY human, aliens and ninjas are constantly trying to kidnap or murder her and on top of all of this?

One of the only people who can help her, help her father, save the entite world has a massive crush on her.

In her mind, it's much less risky to just pretend like she doesn't know he has a crush on her as long as he never confesses and she has to directly turn him down.

But then things get massively awkward when she meets this new kid and they have so much chemistry, she can actually share both aspects of her life with Casey. April gets to talk about how crazy her life is but also complain about normal stuff, and hey with this new kid coming around, this means that Donnie will naturally realize how they like each other and back off right???

Hahah...

No.

He gets JEALOUS. And is actively hostile to her friend!! And it is so blatantly obvious that it's because he is jealous of Casey, they're both generally so bad at hiding how they're both into April.

So now her predicament is that Donnie is actively hostile to Casey because he views him as a threat, and Casey who doesn't let that shit slide is responding in kin. They both act like she's their girlfriend or eventually going to end up with them, even though neither of them have asked her OUT.

This is majotarily an issue because of the bad writing. But if we ignore that for a second, what this looks like is a girl that's put into a situation where no matter what she does, she loses.

Now, I see some people suggesting that Donnie's crush on April is a two-sided problem, claiming that April is either very manipulative or that she lowkey enjoys that Donnie likes her which is odd to me— Like did we watch the same show?

While you can definitely see it like that since April's character is so badly written and so bland that you can fit almost any interpretation into her actions and her being outright manipulative would have been an interestingangle to explore, I completely disagree with this reading for the cannon because outside of a few very specific episodes, April never gives Donnie any indication that she likes him, outside of those situations she never "leads him on."

Like c'mon, the only episode I can think of where she does lead him on is foot too big, which I have a lot of problems with from a writing standpoint, but the episode itself feels so out of character and conflicting.

Ignoring how that episode affects Donatello for a second, it does something really gross to April's characterization. It has her very clearly reject Donnie's advances at the start of the episode, then she's not really present for a majority of the episode until Donnie essentially does some growing and tells her how he understands how she feels and he accepts her rejection, so she kisses him????

?????

Look, this feels like that point in any amateur writer's story where they need to continue the mutual pining, but the story came to a point where it has to directly address one of the character's interest in the other, so the writer pulls something convoluted out of their ass in order to keep the mutual pining going, without realizing that the way they're writing the character makes it feel like one of them HATES THE OTHER and by making them show interest out of a sudden, it destroys the previous characterization! It's not interesting, it's not even a character flaw, it's BAD WRITING!

This episode takes the cannon, if maybe unintentional characterization of April O'Neil as a girl who knows her friend is into her, but she feels uncomfortable directly addressing, and makes it seem like she's a manipulative bitch leading him on, which not only looks very stupid but is also very ~misogynistic~

It's also such a weird episode because nothing happens after this?

It's not Donnie's fault that he's a massive creep! It's not his Father's fault for not telling him he needs to cut it out because it's weirding April out— I also have a lot of problems with the way Splinter "addresses" this issue, which is to say, outside of a single episode, he doesn't—! It's not his brother's fault for never outright saying he needs to stop because of how much of a massive creep he is! It's not Casey's fault for not addressing it either and maybe trying to have a heart to heart with Donnie about both of their feelings toward April—

No, it's the girl's fault for leading him on. Even though everything she does screams "I am not interested, dude."

Also, this isn't me saying the other characters — with the exception of Splinter — should be heavily critized for their lack of emotional intelligence when approaching this situation. But if you are going to let the other teenager's poor actions slide because they're kids, you can't expect the only teenage girl to have the emotional intelligence to deal with that situation either without making it seem sexist, y'know.

The same issue is present with the way the writers start treating Casey btw, in season 2 when April was paired with Casey, she actually felt like a fully fledged character. It actually felt like she was going to start getting some actual character development and maybe develop a relationship with Casey, which made the most sense since at this point it felt like April had no intention of addressing the "I'm half human half kraang" situation. And she had chemistry with him!

And then out of nowhere she starts acting distant and cold towards Casey? Even CASEY points it out in the show lmao.

Honestly this feels like the writers trying to very poorly balance the love triangle, they needed to give Donnie a reason to believe he still had a chance with April, while knocking Casey down enough that he thought he shouldn't directly ask her out even after all of the pseudo dates they had in season 2.

And since I'm talking about April, I feel that maybe it's because my type of woman is women like Karai, which actually felt like an interesting person, even though she was also handled poorly, but April, outside of a few very specific episodes, just feels bland.

I mean, come on, can you tell me one concrete thing about her that comes from cannon that goes deeper than surface level?

What does she like? What doesn't she like? What her thoughts on the situations she finds herself in?

She never talks about her mother beyond missing her, even in the episode where the copy of her mom is present. It just happens, and then she never talks about it again??? At least not to any noticeable extent. She never processes what it means to be a half human half kraang mutant. It takes the show like 3 seasons to even start addressing her psychic powers?!

You're telling me you gave this version of April one of the coolest powers in the history of superpowers, and YOU WAIT TILL YOUR SHOW IS ALMOST OVER TO EVEN START ADDRESSING IT?

You cannot convince me Donnie and Casey wouldn't immediately want to talk about April's powers the moment they learned about it.

Donnie would immediately start running tests, not wait until the farmhouse to do it.

Casey would think, "It's totally dope. Yo" and would want to help April train her powers.

Cue a training montage with April learning how to levitate soda cans and how to use her psychic powers with both Donnie and Casey cheering her on.

Anyways, my conclusion to this post is just how all of the characters in this show were robbed, but especially April, she's not "April O'Neil" she is "Donnie's crush", she is "Casey's love interest", she’s "the center of the conspiracy".

She's never allowed to be a character. She's never allowed to feel like a real teenage girl. She's never even allowed to reject Donnie!! She is written as if she doesn't like him but every single time where he is getting over her suddenly something happens that makes him crawl back into that stupid obssession!! Even though she is clearly not interested. April O'neil is not a character, she is a weird plot device which the writers can use to move the plot forward and push their weird fucking ships onto the audience without actually developing anything to any extent.

I rest my case.

You can't tell me this isn't their dynamic a majority of the show- Donnie / Raph are also 5 seconds away from losing their shit and Mikey / Casey are always the victims of their wrath (While Leo and April either just exist in the back or try to "mediate" the situation-). 💀 LMAO || To be honest, I originally made this video at Mikey and Casey's expense, since it was meant to demonstrate Donnie and Raph's similarites and why I love 2012 Brawn + Brain even though we barely got any real content for them in canon,, 😔 🫶 🧪🔭🔬 / 💪💥🤬

Wow, this video is super old,, I haven't drawn like this in ages- 😭 Lmao

(Old Content)

based on someone irl finding out i was a tmnt fan, asking who my fav was, and being like "oh but not 2012 donnie right 😆" like um. get my babygirls name out of your mouth

You guys know one thing that grinds my gears a bit about tmmt 2012?

Yes yes, it's Donatello’s crush on April

This guy is literally so sweet. Sure, it's cliché that he ends up having a crush on her just because she is the first girl he's ever seen, but he is literally the first one to say they should help her when the Kraang show up, no hesitation, he makes her gifts like a whole ass PHONE and that music box and he spends hours planning ways to get her to hang out with him.

Yes, some of it is weird—BUT he is otherwise so sweet, and I will never forgive this show for the fact that the writers never allowed April to be a real character and either have the balls to let the relationship develop into something ROMANTIC or to have an actual message with April rejecting Donnie and letting him actually grow, rather than keeping him into a perpetual crush Limbo where he is not allowed to get over April but is never allowed to actually ask her out