Is Anyone Else Obsessed With How Subtly Important Eye Contact Is In Goncharov?

Is anyone else obsessed with how subtly important eye contact is in Goncharov?

Have you noticed how many times he says some form of “look at me” to katya? How, whenever andrey is in a scene his eyes seems to slowly maneuver from object to person to object, as if he’s scanning meaningless information, UNTIL goncharov is in the scene and suddenly his eyes follow him like he’s something worth studying? And what gets me most, how katya, the person who refuses to look at goncharov in the eye unless he all but begs, the woman who has never had the opportunity to yearn for a man because the men do all the yearning for her, looks at sofia like she’s hung the stars and moon, to the point sofia even says something!!! THE DIRECT PARALLELS BETWEEN GONCHAROV’S “look at me, why can’t you ever look at me” AND SOFIA’S “you can’t look at me like that, why do you insist on stopping my heart,” like yeah it was probably meant as a throwaway gag, the way it was said after sofia found katya drunk (don’t even get me STARTED on how katya hid the fact that she was prescribed medication for a preexisting condition from goncharov because she refused to be seen as weak but as soon as she sees sofia’s face in her weakest moment she collapses into her arms and sobs, like???) but that aside it paints such a lovely picture i can hardly stand it.

Heteronormative speculation in the film critic industry has always painted that scene as proof that katya really does care for goncharov because of the flashbacks to him in the middle of her talking to sofia and moments before The Kiss™️, i’ve seen the same take so many times “she was hallucinating that it was goncharov in front of her, not sofia,” but that makes literally no sense considering the way she acts around him for the rest of the film.

The flashbacks were all times that we’d already SEEN in the movie, except the beginning few which were of a younger goncharov, before the beginning of the movie, perhaps before they’d fled russia even. It showed a story, each change in memory was one of him mentioning her always being in her own head, or not paying attention, or even the one scene everyone knows and loves where he asks her what she’s thinking about. The way the first few were grouped together, then became broken up by glimpses of sofia, because the answer to the question “what are you thinking about,” changed as soon as sofia stepped into the picture. She used to dream of freedom from familial pressure, from her husbands line of work, from her countries political agenda, but recently freedom feels less like a pair of wings and more like long brown hair and warm eyes that she can’t help but stare into.

Katya’s character being so underdeveloped in favor of goncharov and andrey mentally fucking for a few more minutes is absolutely deplorable, all i want is for her to find gay peace!

(Btw if you remember any scenes that have to do with the importance of eye contact in the movie that i forgot to mention here, feel free to add on!)

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1 year ago

one of my favorite parts of moby dick is when ishmael wants/needs to tell us something but he desperately doesn't want to have to talk about it, he just buries it in a bunch of irrelevant information.

at the very beginning, he goes to church. a place filled with "silent grief... insular and incommunicable." and he sees these marble tablets on either side of the pulpit and says 'I don't really remember them all that well' (which is likely a lie. at the least it's extremely out of character for a man who directly quotes the internal monologues of other men) and proceeds to give three paraphrased examples. the first tablet is for a teenager, lost overboard off patagonia. the tablet was paid for by his sister. the second is for 6 men, taken by a whale they were hunting in the pacific. the tablet was paid for "by their surviving shipmates." the third is for a captain, killed on his own boat by a sperm whale off japan. the tablet was paid for by his widow. all seemingly normal.

except they're not. the first one is a red herring, seemingly irrelevant to our story. but the second? a memorial for a crew lost to a whale, left by their surviving shipmates? that's exactly what we're reading. the surviving shipmate is ishmael. he's all that remains. and then he pivots, drawing our attention to the much clearer parallel- the captain who loses his life on his own boat to a sperm whale. and we all immediately go "oh I know who that is! ahab!!" and ishmael succeeds. he needs us to see the sailors remembered by their surviving crew, but even more he needs to not address it. he needs us to not ask him about it. he wants this story to be told but he doesn't want to be the one telling it. he wants to pretend to be someone else, to be someone other than the one who survived. and for 135 chapters, he gets to be.

1 year ago
Made Another One
Made Another One
Made Another One
Made Another One

made another one

2 years ago

part of what delights me about the goncharov joke is the inconsistencies. because it’s not an actual movie, different people are imagining different versions of it. some posts claim katya dies, others claim she fakes her death and survives. some ppl say there was real passion between goncharov and katya, others say it was a loveless marriage. the outlines of the film are the same, but the details are different. i like to think that they’re all true. somehow, impossibly, everyone’s posts are accurate, even when they directly contradict each other. goncharov is large, it contains multitudes. 

1 year ago

hiiii mdms (moby dick mutuals) do you guys know about power moby dick (funny name). it’s an online annotation of moby dick that provides explanations for allusions and definitions for outdated terms/whaling jargon. it is so fun i am clicking around and exploring and learning a lot of new old-timey maritime words <3

2 years ago
GONCHAROV (1973) Dir. Martin Scorsese
GONCHAROV (1973) Dir. Martin Scorsese
GONCHAROV (1973) Dir. Martin Scorsese
GONCHAROV (1973) Dir. Martin Scorsese
GONCHAROV (1973) Dir. Martin Scorsese
GONCHAROV (1973) Dir. Martin Scorsese
GONCHAROV (1973) Dir. Martin Scorsese
GONCHAROV (1973) Dir. Martin Scorsese
GONCHAROV (1973) Dir. Martin Scorsese
GONCHAROV (1973) Dir. Martin Scorsese

GONCHAROV (1973) dir. Martin Scorsese

“It funny because for many years people thought Goncharov was the main antagonist of the film, after all, he’s the one everyone’s out to get, right? But it seems people are starting to understand that in actual fact, it is time that is the main adversary in this story. There’s never enough of it and that torments a lot of characters, especially Goncharov, because he’s fighting so desperately to find his place in a world that is so keen on keeping him ostracized.”

[template by @bitchronan]


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1 year ago

All the “Elon Musk is Bob Page” posts made me do this in like five minutes

All The “Elon Musk Is Bob Page” Posts Made Me Do This In Like Five Minutes

(Based on this)

2 years ago

A Snowy Day in Liurnia

“Mother says you’re not to be trusted,” the young girl said, twirling a finger in her red locks. The woman laughed, her large hat flopping about strangely in the girl’s eyes. It made her smile in spite of her uncertainty. The crone knelt down somewhat to meet her gaze, cold blue eyes crowning a warm smile.

“Thine mother speaks true, my dear. Trust is a thing earned, not given. Though, in time will thou too grant it?” She said, as a weathered hand reached out and pat her head, softly. The girl stepped aback, not in fright but surprise. The woman’s touch was frigid as ice. It was true then. She really was the snow witch.

“…are you the reason why it’s snowing now? The manor’s never seen a blizzard before…” the young Ranni asked, taking steps forward again. The snow witch smiled further, a spark of mischief to her grin now. 

“Tis not easy to get the attention of the Carians, dear. A full moon oft outshines a dark one, after all.” She let out a laugh, shrill as the icicles hanging from the manor’s eaves. Ranni smiled, laughing too. How had this stranger crept inside the castle’s walls though? Rennala and Radagon were vigilant as any since the war had ended, but a snowfall had drawn the attention to the now frozen lake beyond the walls and the Academy. 

A fog had crept in that morning, and with it, a stooped figure tending to the trees in the small groves tucked away in the Carian Manor. Ranni had ran out to explore the growing drifts, but had found the curious figure plucking snowflakes from the air as one might take fruit hanging from a branch. 

“Tis a good omen though, young mistress,” the hag said, finally putting away her little game. An omen indeed, a guiding light of the moon had brought her here, and the one to answer the call had surprised her further. The daughter of Rennala and Radagon themselves would be her student. 

“An… Omen?” the girl stepped back, fear tinging her voice. The snow witch merely laughed again, this time loudly and the snow gathering around them seemed to sparkle with each note of her voice.

“Oh, mine apologies dearest, tis not what I meant. A sign. A very good, sign. Thou art steeped in sorcery, thy blood calls out to it and it responds. Thine path is bright, perhaps brighter than most,” she stooped down again, this time resting fully on her heels. The odd down garb sparkled like starlight in the grove, bringing the young Ranni closer still. 

“…if you… really think so. The Academy teaches sorcery…” was all she could manage to say. The snow witch tilted her head at that, her smile going from one of mischief to something dark and bitter, as a sour taste received when sweetness was expected. She relaxed however, recalling her purpose here.

“The Academy is most equipped to turn lesser minds into vessels, ready to receive instruction from thy mother and her students. Thou, however, deserve something better than that. She will teach thou what she must, but I have a question for thee.” 

Ranni looked up as the snow witch stood, her cold, blue eyes almost glowing in the shadow of her strange hat.

“What is it?” she squeaked, feeling a tinge of fear. The hag shut her eyes, smiling that softer smile again. She tilted her head before extending a hand.

“I can teach thee not of Glintstone, but of ice and cold. Of the chill of night and starlight.” She whispered, lowering herself once more to meet Ranni’s gaze evenly. The young child furrowed her brows, a hand brushing damp bangs back from the wetness of the snowfall. 

“A chill night? It’s so cold now though!” she complained, folding her arms and pouting. The witch giggled at that. She was indeed the perfect student. 

‘Oh young Ranni, thou shalt learn beautifully,’ the snow witch thought.  

2 years ago
Gotta Admit, I'm Impressed With Their Dedication To The Bit
Gotta Admit, I'm Impressed With Their Dedication To The Bit
Gotta Admit, I'm Impressed With Their Dedication To The Bit
Gotta Admit, I'm Impressed With Their Dedication To The Bit
Gotta Admit, I'm Impressed With Their Dedication To The Bit
Gotta Admit, I'm Impressed With Their Dedication To The Bit
Gotta Admit, I'm Impressed With Their Dedication To The Bit
Gotta Admit, I'm Impressed With Their Dedication To The Bit
Gotta Admit, I'm Impressed With Their Dedication To The Bit
Gotta Admit, I'm Impressed With Their Dedication To The Bit

gotta admit, I'm impressed with their dedication to the bit


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