Updated installation from Kimchi and Chips is made of several long parallel strings, with light projected to create mesmerizing patterns:
Two scenes of kevlar rope face one another tensioned to 5000kg. The audience is presented with highly parallel lines which contrast the darker space, building panoramic moire patterns. Video projection is used to address each line with digital pixels, activating visual matter within the volume of string.
This second edition of the 483 Lines was commissioned by the ACT Festival, Gwangju 2015, continuing to celebrate and interpret the non-constructive aspects of the NTSC television format.
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Alex Mazurov & Anastasia Glebova: Faroe Islands
“Odontodactylus scyllarus, Peacock Mantis Shrimp“
want more winter/holidays/snow on your dash?
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by Dino Olivieri
Chorus, October Fifteenth 2013
And memory stays or fluxes like light reflects, gleams, on a river as it moves downstream.
Martin Willitts, Jr., from “Time is a Hummingbird Darting,” Peacock Journal (September 2016)
Kearvaig by Richard Gaston
Spring is here
Prints
What use is moonlight? I reach into it, fingers open, and my hand is silvered and blessed, and comes back to me holding nothing.
Margaret Atwood, from “Sumacs,” in Interlunar (via a-pair-of-ragged-claws)
full-time bio student, part-time sassyboy tbh. emojis are r i d i c. ☝✌✌✌☝
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